100 Cult Films: Bfi Screen Guides
Autor Ernest Mathijs, Xavier Mendiken Limba Engleză Paperback – 13 oct 2011
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Specificații
ISBN-13: 9781844574087
ISBN-10: 1844574083
Pagini: 256
Ilustrații: 70 colour photos
Dimensiuni: 205 x 195 x 20 mm
Greutate: 0.64 kg
Ediția:2011
Editura: Bloomsbury Publishing
Colecția British Film Institute
Seria Bfi Screen Guides
Locul publicării:London, United Kingdom
ISBN-10: 1844574083
Pagini: 256
Ilustrații: 70 colour photos
Dimensiuni: 205 x 195 x 20 mm
Greutate: 0.64 kg
Ediția:2011
Editura: Bloomsbury Publishing
Colecția British Film Institute
Seria Bfi Screen Guides
Locul publicării:London, United Kingdom
Caracteristici
An accessible guide to one hundred of world cinema's most interesting and influential cult films
Notă biografică
ERNEST MATHIJS is Associate Professor of Film Studies at the University of British Columbia, Canada. He is the author of The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero (2008), co-author of Cult Cinema (with Jamie Sexton, 2011) and co-editor of The Cult Film Reader (with Xavier Mendik, 2008).XAVIER MENDIK is Director of the Cine-Excess International Film Festival and DVD label at Brunel University, UK. He is the editor of Shocking Cinema of the Seventies (2002) and the co-editor of Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 (with Ernest Mathijs, 2004), Underground USA: Filmmaking Beyond the Hollywood Canon (with Steven Jay Schneider, 2002) and The Cult Film Reader.
Cuprins
Acknowledgments.- Foreword, Joe Dante.- Introduction.- 2001: A Space Odyssey, Stanley Kubrick, 1968.- Akira, Katsuhiro Otomo, 1988.- Angel of Vengeance, Abel Ferrara, 1981.- Bad Taste, Peter Jackson, 1987.- Baise-moi, Virginie Despentes, Coralie Trinh Thi, 2000.- Begotten, E. Elias Merhige, 1991.- Behind the Green Door, Artie Mitchell, Jim Mitchell, 1972.- La belle et la bête, Jean Cocteau, 1946.- Beyond the Valley of the Dolls, Russ Meyer, 1970.- The Big Lebowski, Joel Coen, Ethan Coen, 1998.- Blade Runner, Ridley Scott, 1982.- Blue Sunshine, Jeff Lieberman, 1978.- Brazil, Terry Gilliam, 1985.- Bride of Frankenstein, James Whale, 1935.- The Brood, David Cronenberg, 1979.- Das Cabinet des Dr. Caligari, Robert Wiene, 1920.- Café Flesh, Stephen Sayadian, 1982.- Cannibal Holocaust, Ruggero Deodato, 1979.- Casablanca, Michael Curtiz, 1942.- Un chien andalou, Luis Buñuel, Salvador Dalí,1928.- Coffy, Jack Hill, 1973.- Daughters of Darkness, Harry Kümel, 1971.- Dawn of the Dead, George A. Romero, 1978.- Deadly Weapons, Doris Wishman, 1974.- Debbie Does Dallas, Jim Clark, 1978.- Deep Red, Dario Argento, 1975.- Dirty Dancing, Emile Ardolino, 1987.- Django, Sergio Corbucci, 1966.- Donnie Darko, Richard Kelly, 2001.- Don't Torture a Duckling, Lucio Fulci, 1972.- Edward Scissorhands, Tim Burton, 1990.- Emanuelle and the Last Cannibals, Aristide Massaccesi, 1977.- Emmanuelle, Just Jaeckin, 1974.- Enter the Dragon, Robert Clouse, 1973.- Eraserhead, David Lynch, 1977.- The Evil Dead, Sam Raimi, 1981.- Fight Club, David Fincher, 1999.- Flaming Creatures, Jack Smith, 1963.- Freak Orlando, Ulrike Ottinger, 1981.- Freaks, Tod Browning, 1932.- Ginger Snaps, John Fawcett, 2000.- The Gods Must Be Crazy, Jamie Uys, 1981.- Godzilla, Ishirô Honda, 1954.- The Harder They Come, Perry Henzell, 1972.- Harold and Maude, Hal Ashby, 1971.- Häxan, Benjamin Christensen, 1922.- Hellraiser, Clive Barker, 1987.- The Holy Mountain, Alejandro Jodorowsky, 1973.- The House with the Laughing Windows, Pupi Avati, 1976.- I Walked with a Zombie, Jacques Tourneur, 1943.- Ichi the Killer, Takashi Miike, 2001.- In Bruges, Martin McDonagh, 2008.- Invasion of the Body Snatchers, Don Siegel, 1956.- Invocation of My Demon Brother, Kenneth Anger, 1969.- It's a Wonderful Life, Frank Capra, 1946.- The Killer, John Woo, 1989.- Lady Terminator, H. Tjut Djalil, 1988.- The Lord of the Rings, Peter Jackson, 2001-3.- Mad Max 2: The Road Warrior, George Miller, 1981.- Man Bites Dog, Rémy Belvaux, André Bonzel, Benoît Poelvoorde, 1992.- Manos, the Hands of Fate, Harold P. Warren, 1966.- The Masque of the Red Death, Roger Corman, 1964.- Monty Python and the Holy Grail, Terry Gilliam, Terry Jones, 1975.- Near Dark, Kathryn Bigelow, 1987.- Nekromantik, Jörg Buttgereit, 1987.- Night of the Living Dead, George A. Romero, 1968.- Pink Flamingos, John Waters, 1972.- Piranha, Joe Dante, 1978.- Plan 9 from Outer Space, Ed Wood, Jr, 1959.- Re-Animator, Stuart Gordon, 1985.- Reefer Madness, Louis Gasnier, 1936.- Repo Man, Alex Cox, 1984.- Ringu, Hideo Nakata, 1998.- The Rocky Horror Picture Show, Jim Sharman, 1975.- Rome Armed to the Teeth, Umberto Lenzi, 1976.- The Room, Tommy Wiseau, 2003.- Salò, or the 120 Days of Sodom, Pier Paolo Pasolini, 1975.- She Killed in Ecstasy, Jesús Franco, 1971.- Showgirls, Paul Verhoeven, 1995.- Soul Vengeance, Jamaa Fanaka, 1975.- The Sound of Music, Robert Wise, 1965.- Star Wars, George Lucas, 1977-2005.- Superstar: The Karen Carpenter Story, Todd Haynes, 1988.- Suspiria, Dario Argento, 1977.- Tank Girl, Rachel Talalay, 1995.- Tetsuo, Shinya Tsukamoto, 1989.- The Texas Chainsaw Massacre, Tobe Hooper, 1974.- This Is Sp?n¨al Tap, Rob Reiner, 1984.- Thriller: A Cruel Picture, Bo Arne Vibenius, 1974.- Thundercrack!, Curt McDowell, 1975.- El Topo, Alejandro Jodorowsky, 1970.- The Toxic Avenger, Michael Herz, Lloyd Kaufman, 1984.- Two-Lane Blacktop, Monte Hellman, 1971.- Tw