100 Film Noirs: Screen Guides
Autor Jim Hillieren Limba Engleză Hardback – 18 mai 2009
100 Film Noirsprovides an authoritative overview offilm noirpast and present by examining its core films and themes and providing an accessible introduction to critical debates. The book goes beyond the classical canon to examine the ways in whichnoircontinues to have a diverse influence on American cinema. It demonstrates the way thatnoirhas intervened in other more established Hollywood genres and also considers numerous lesser-known examples of the field. Importantly,100 Film Noirshas a strong international dimension and provides new and revealing insights intofilm noirsfrom France, Germany, Japan, India, Mexico and beyond.
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Specificații
ISBN-13: 9781844572151
ISBN-10: 1844572153
Pagini: 296
Ilustrații: 35 b/w photos
Dimensiuni: 123 x 168 x 25 mm
Ediția:2009
Editura: British Film Institute
Colecția British Film Institute
Seria Screen Guides
Locul publicării:London, United Kingdom
ISBN-10: 1844572153
Pagini: 296
Ilustrații: 35 b/w photos
Dimensiuni: 123 x 168 x 25 mm
Ediția:2009
Editura: British Film Institute
Colecția British Film Institute
Seria Screen Guides
Locul publicării:London, United Kingdom
Descriere
This
BFI
Screen
Guide provides
an
accessible,
richly-illustrated introduction to
100
key
noir
films,
from
Hollywood
classics
such
asDouble
Indemnityto
more
recent
titles
such
asSin
City,
as
well
as
examples
from
Europe,
Japan,
India
and
Mexico, together
with an
editorial
overview
of
the
genre
and
its
key
debates.
Cuprins
BFI
SCREEN
GUIDES.-
100
FILM
NOIRS
FINAL.-
Acknowledgements.-
Introduction.-
100
Films:.-
36,
Quai
des
orfèvres
(Olivier
Marchal,
2004).-
The
American
Friend
(Wim
Wenders,
1977).-
Asphalt
Jungle
(John
Huston,
1950).-
La
Bête
humaine
(Jean
Renoir,
1938).-
The
Big
Combo
(Joseph
H
Lewis,
1955).-
The
Big
Heat
(Fritz
Lang,
1953).-
The
Big
Sleep
(Howard
Hawks,
1946).-
Blast
of
Silence
(Alan
Baron,
1961).-
The
Blue
Dahlia
(George
Marshall,
1946).-
Body
and
Soul
(Robert
Rossen,
1947).-
Born
to
Kill
(Robert
Wise,
1947).-
Brighton
Rock
(John
Boulting,
1947).-
Call
Northside
777
(Henry
Hathaway,
1947).-
Castle
of
Sand
(Nomura
Yoshitaro,
1974).-
The
Chase
(Arthur
Ripley,
1946).-
Chinatown
(Roman
Polanski,
1974).-
C.I.D.
(Raj
Khosla,
India,
1954).-
Collateral
(Michael
Mann,
2004).-
Cornered
(Edward
Dmytryk,
1945).-
Criss
Cross
(Robert
Siodmak,
1948).-
The
Crooked
Way
(Robert
Florey,
1949).-
Crossfire
(Edward
Dmytryk,
1947).-
Cry
of
the
City
(Robert
Siodmak,
1948).-
The
Dark
Corner
(Henry
Hathaway,
1946).-
Dark
Passage
(Delmer
Daves,
1947).-
Dead
Reckoning
(John
Cromwell,
1947).-
Death
of
a
Cyclist
(Javier
Bardem,
1955).-
Death
is
a
Caress
(Edith
Carlmar,
1949).-
Detour
(Edgar
G.
Ulmer,
1945).-
Devil
in
a
Blue
Dress
(Carl
Franklin,
1995).-
D.O.A.
(Rudolph
Maté,
1949).-
Double
Indemnity
(Billy
Wilder,
1944).-
The
Driver
(Walter
Hill,
1978).-
Fallen
Angel
(Otto
Preminger,
1945).-
Fear
in
the
Night
(Maxwell
Shane,
1947).-
Force
of
Evil
(Abraham
Polonsky,
1948).-
A
Foreign
Land
(Walter
Salles,
Brazil).-
Get
Carter
(Mike
Hodges,
1971).-
Gilda
(Charles
Vidor,
1946).-
The
Glass
Key
(Stuart
Heisler,
1942).-
Gun
Crazy
(Joseph
H
Lewis,
1949).-
He
Ran
All
the
Way
(John
Berry,
1951).-
He
Walked
By
Night
(Alfred
Werker,
1949).-
High
and
Low
(Akira
Kurosawa,
1963).-
A
History
of
Violence
(David
Cronenberg,
2005).-
The
Hitch-hiker
(Ida
Lupino,
1953).-
I'll
Sleep
When
I'm
Dead
(Mike
Hodges,
2003).-
In
a
Lonely
Place
(Nicholas
Ray,
1950).-
I
Married
a
Communist
(Robert
Stevenson,
1949).-
I
Wake
Up
Screaming
(H
Bruce
Humberstone,
1942).-
I
Walk
Alone
(Byron
Haskin,
1948).-
Journey
into
Fear
(Norman
Foster/Orson
Welles,
1942).-
Le
Jour
se
lève
(Marcel
Carné,
1939).-
Lift
to
the
Scaffold
(Louis
Malle,
1957).-
The
Killers
(Robert
Siodmak,
1946).-
The
Killing
(Stanley
Kubrick
1956).-
Kiss
Me
Deadly
(Robert
Aldrich,
1955).-
Kiss
of
Death
(Henry
Hathaway,
1947).-
LA
Confidential
(Curtis
Hanson,
1997).-
The
Lady
from
Shanghai
(Orson
Welles,
1947).-
The
Lady
in
the
Lake
(Robert
Montgomery,
1946).-
Laura
(Otto
Preminger,
1944).-
The
Long
Goodbye
(Robert
Altman,
1973).-
The
Lost
One
(Peter
Lorre,
1951).-
M
(Fritz
Lang,
1931).-
Memories
of
Murder
(Joon-ho
Bong,
2003).-
The
Maltese
Falcon
(John
Huston,
1941).-
Mildred
Pierce
(Michael
Curtiz,
1945).-
Mulholland
Dr.
(David
Lynch,
2001).-
Murder
My
Sweet
(Edward
Dmytryk,
1944).-
The
Narrow
Margin
(Richard
Fleischer,
1952).-
Night
and
the
City
(Jules
Dassin,
1950).-
Nightmare
Alley
(Edmund
Goulding,
1947).-
Night
Moves
(Arthur
Penn,
1975).-
Odd
Man
Out
(Carol
Reed,
1947).-
Odds
Against
Tomorrow
(Robert
Wise,
1959).-
On
Dangerous
Ground
(Nicholas
Ray,
1951).-
Out
of
the
Past
(Jacques
Tourneur,
1947).-
Phantom
Lady
(Robert
Siodmak,
1944).-
Pickup
on
South
Street
(Samuel
Fuller,
1953).-
Pitfall
(André
de
Toth,
1948).-
Point
Blank
(John
Boorman,
1967).-
The
Postman
Always
Rings
Twice
(Tay
Garnett,
1946).-
Pursued
(Raoul
Walsh,
1947).-
Quai
des
orfèvres
(Henri-Georges
Clouzot,
1947).-
The
Reckless
Moment
(Max
Ophuls,
1949).-
Rififi
(Jules
Dassin,
1955).-
Scarlet
Street
(Fritz
Lang,
1945).-
Shoot
the
Pianist
(François
Truffaut,
1960).-
Side
Street
(Anthony
Mann,
1950).-
Sin
City
(Frank
Miller
and
Roberto
Rodriguez,
2005).-
Story
of
a
Love
Affair
(Michelangelo
Antonioni,
1950).-
Sunset
Boulevard
(Billy
Wilder,
1950).-
Taxi
Driver
(Martin
Scorsese,
1976).-
They
Live
By
Night
(Nicholas
Ray,
1948).-
T
Men
(Anthony
Mann,
1947).-
Touchez
pas
au
grisbi
(Jacques
Becker,
1953).-
Touch
of
Evil
(Orson
Welles,
1958).-
Where
the
Sidewalk
Ends
(Otto
Preminger,
1950).-
Notes.-
Index.
Notă biografică
JIM HILLIER is Visiting Lecturer in the Department of Film and Television Studies at the University of Reading. His publications includeAmerican Independent Cinema(2001),The Film Studies Dictionary(2000) andHoward Hawks: American Artist(1996).
ALASTAIR PHILLIPS is Associate Professor in the Department of Film and Television Studies at the University of Warwick. He is the author ofRififi(2008) and the co-editor ofJapanese Cinema: Texts and Contexts(2007) and ofJourneys of Desire: European Actors in Hollywood(2006).
Textul de pe ultima copertă
Film
noir's
popularity
with
cinema
audiences,
enthusiasts
and
scholars
has
remained
unabated
since
post-war
French
critics
began
discerning
a
new
trend
in
American
film
with
the
release
of
such
stylish
and
atmospheric
crime
features
asDouble
IndemnityandMurder,
My
Sweet.
Many
of
Hollywood's
greatest
directors
such
as
Fritz
Lang
and
Robert
Siodmak
are
now
closely
associated
withfilm
noir's
psychologically
acute
observations
of
the
darker
contours
of
the
American
urban
landscape.
Thanks
to
evocative
cinematography,
sharp
writing
and
powerful
performances,
these
films
have
had
an
enduring
influence
on
international
visual
culture.
100 Film Noirsprovides an authoritative overview offilm noirpast and present by examining its core films and themes and providing an accessible introduction to critical debates. The book goes beyond the classical canon to examine the ways in whichnoircontinues to have a diverse influence on American cinema. It demonstrates the way thatnoirhas intervened in other more established Hollywood genres and also considers numerous lesser-known examples of the field. Importantly,100 Film Noirshas a strong international dimension and provides new and revealing insights intofilm noirsfrom France, Germany, Japan, India, Mexico and beyond.
100 Film Noirsprovides an authoritative overview offilm noirpast and present by examining its core films and themes and providing an accessible introduction to critical debates. The book goes beyond the classical canon to examine the ways in whichnoircontinues to have a diverse influence on American cinema. It demonstrates the way thatnoirhas intervened in other more established Hollywood genres and also considers numerous lesser-known examples of the field. Importantly,100 Film Noirshas a strong international dimension and provides new and revealing insights intofilm noirsfrom France, Germany, Japan, India, Mexico and beyond.
Caracteristici
Film
Noir
is a popular
and
widelystudied
genre
Authors are both highprofile film scholars
Includes classic films such asDouble Indemnityalongside more recent movies includingSin City
Richly illustrated with images from the films discussed
Authors are both highprofile film scholars
Includes classic films such asDouble Indemnityalongside more recent movies includingSin City
Richly illustrated with images from the films discussed