100 Film Musicals: Screen Guides
Autor J. Gibbs, Doug Pyeen Limba Engleză Paperback – 24 mai 2011
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Specificații
ISBN-13: 9781844573783
ISBN-10: 1844573788
Pagini: 279
Ilustrații: 0, 35 black & white halftones
Dimensiuni: 155 x 235 x 23 mm
Greutate: 0.41 kg
Ediția:2011
Editura: British Film Institute
Colecția British Film Institute
Seria Screen Guides
Locul publicării:London, United Kingdom
ISBN-10: 1844573788
Pagini: 279
Ilustrații: 0, 35 black & white halftones
Dimensiuni: 155 x 235 x 23 mm
Greutate: 0.41 kg
Ediția:2011
Editura: British Film Institute
Colecția British Film Institute
Seria Screen Guides
Locul publicării:London, United Kingdom
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Cuprins
Acknowledgments.-
Introduction.-Afrita
Hanem,
Henri
Barakat,
1949.-An
American
in
Paris,
Vincente
Minnelli,
1951.-Anchors
Aweigh,
George
Sidney,
1945.-Ansiedad,
Miguel
Zacarias,
1953.-Applause,
Rouben
Mamoulian,
1929.-The
Band
Wagon,
Vincente
Minnelli,
1953.-Cabaret,
Bob
Fosse,
1972.-Cabin
in
the
Sky,
Vincente
Minnelli,
1943.-Calamity
Jane,
David
Butler,
1953.-Car
Wash,
Michael
Schultz,
1976.-Carmen
Jones,
Otto
Preminger,
1954.-Carousel,
Henry
King,
1956.-Cavalcade,
Frank
Lloyd,
1933.-Chicago,
Rob
Marshall,
2002.-Come
On
George!,Anthony
Kimmins,
1939.-Cover
Girl,
Charles
Vidor,
1944.-Dancer
in
the
Dark,
Lars
von
Trier,
2000.-Les
Demoiselles
de
Rochefort,
Jacques
Demy,
1967.-Dil
se…,Mani
Ratnam,
1998.-Die
Dreigroschenoper,
G.W.
Pabst,
1931.-Easter
Parade,
Charles
Walters,
1948.-Evergreen,
Victor
Saville,
1934.-Flying
Down
to
Rio,
Thornton
Freeland,
1933.-Footlight
Parade,
Lloyd
Bacon,
1933.-Footloose,
Herbert
Ross,
1984.-42nd
Street,Lloyd
Bacon,
1933.-Funny
Face,
Stanley
Donen,
1957.-Funny
Girl,
William
Wyler,
1968.-The
Gay
Divorcee,
Mark
Sandrich,
1934.-Gentlemen
Prefer
Blondes,
Howard
Hawks,
1953.-The
Girl
Can't
Help
It,
Frank
Tashlin,
1956.-Gold
Diggers
of
1933,
Mervyn
LeRoy,
1933.-Golden
Eighties,
Chantal
Akerman,
1986.-Grease,
Randal
Kleiser,
1978.-Guys
and
Dolls,
Joseph
L
Mankiewicz,
1955.-Hallelujah!,King
Vidor,
1929.-A
Hard
Day's
Night,
Richard
Lester,
1964.-The
Harder
they
Come,
Perry
Henzell,
1972.-High
School
Musical,
Kenny
Ortega,
2006.-Holiday
Inn,
Mark
Sandrich,
1942.-8
femmes,
François
Ozon,
2002.-It's
Always
Fair
Weather,
Gene
Kelly/Stanley
Donen,
1955.-Jailhouse
Rock,
Richard
Thorpe,
1957.-Janken
musume,
Sugie
Toshio,
1955.-The
Jazz
Singer,
Alan
Crosland,
1927.-Kiss
Me
Kate,
George
Sidney,
1953.-Der
Kongress
tanzt,
Erik
Charel,
1931.-Little
Shop
of
Horrors,
Frank
Oz,
1986.-The
Littlest
Rebel,
David
Butler,
1935.-Love
Me
or
Leave
Me,
Charles
Vidor,
1955.-Love
Me
Tonight,
Rouben
Mamoulian,
1932.-The
Love
Parade,
Ernst
Lubitsch,
1929.-Mary
Poppins,
Robert
Stevenson,
1964.-Meet
Me
in
St
Louis,
Vincente
Minnelli,
1944.-The
Merry
Widow,
Ernst
Lubitsch,
1934.-Le
Million,
René
Clair,
1931.-Moulin
Rouge!,Baz
Lurhman,
2001.-The
Music
Man,
Morton
DaCosta,
1962.-Nashville,
Robert
Altman,
1975.-Naughty
Marietta,
Robert
Z
Leonard/W
S
van
Dyke,
1935.-New
York,
New
York,
Martin
Scorsese,
1977.-Oklahoma!,Fred
Zinnemann,
1955.-Oliver!,Carol
Reed,
1968.-One
from
the
Heart,
Francis
Ford
Coppola,
1982.-One
Hour
with
You,
Ernst
Lubitsch/George
Cukor,
1932.-100
Men
and
a
Girl,
Henry
Koster,
1937.-On
the
Town,
Gene
Kelly/Stanley
Donen,
1949.-Opera
Jawa,
Garin
Nugroho,
2006.-Original
Cast
Album:
Company,
D.
A.
Pennebaker,
1970.-The
Pajama
Game,
George
Abbott/Stanley
Donen,
1957.-Pakeezah,
Kamal
Amrohi,
1972.-Les
Parapluies
de
Cherbourg,
Jacques
Demy,
1964.-Pas
sur
la
bouche,
Alain
Resnais,
2003.-The
Pirate,
Vincente
Minnelli,
1948.-Pyaasa,
Guru
Dutt,
1957.-The
Rocky
Horror
Picture
Show,
Jim
Sharman,
1975.-Saturday
Night
Fever,
John
Badham,
1977.-Seven
Brides
for
Seven
Brothers,
Stanley
Donen,
1954.-Sholay,
Ramesh
Sippy,
1975.-Show
Boat,
James
Whale,
1936.-Shree
420,
Raj
Kapoor,
1955.-Silk
Stockings,
Rouben
Mamoulian,
1957.-Sing
as
We
Go,
Basil
Dean,
1934.-Singin'
in
the
Rain,
Gene
Kelly/Stanley
Donen,
1952.-Snow
White
and
the
Seven
Dwarfs,
David
Hand,
1937.-The
Sound
of
Music,
Robert
Wise,
1965.-A
Star
is
Born,
George
Cukor,
1954.-Stormy
Weather,
Andrew
L.
Stone,
1943.-Summer
Holiday,
Rouben
Mamoulian,
1948.-Swing
Time,
George
Stevens,
1936.-Top
Hat,
Mark
Sandrich,
1935.-True
Stories,
David
Byrne,
1986.-Viktor
und
Viktoria,
Reinhold
Schünzle,
1933.-Volga-Volga,
Grigori
Aleksandrov,
1938.-West
Side
Story,
Robert
Wise/Jerome
Robbins,
1961.-The
Wizard
of
Oz,
Victor
Fleming,
1939.-Yankee
Doodle
Dandy,
Michael
Curtiz,
1942.-You
and
Me,
Fritz
Lang,
1938.-Ziegfeld
Follies,
Vincente
Minnelli
et
al,
1946.-Zouzou,
Marc
Allégret,
1934.-
References.-
Further
Reading.-
Index.
Notă biografică
JIM
HILLIER
and
DOUGLAS
PYE
are
Visiting
Fellows
in
the
Department
of
Film,
Theatre
and
Television
at
the
University
of
Reading.
Jim
Hillier's
recent
publications
include100
Film
Noirs(2009,
with
Alastair
Phillips)
andAmerican
Independent
Cinema(2001).
Douglas
Pye's
recent
publications
includeStyle
and
Meaning(2005,
with
John
Gibbs)
andThe
Movie
Book
of
the
Western(1996,
with
Ian
Cameron).
Textul de pe ultima copertă
From
the
coming
of
sound
to
the
1960s,
the
musical
was
central
to
Hollywood
production.
Exhibiting
–
often
in
spectacular
fashion
–
the
remarkable
resources
of
the
Hollywood
studios,
musicals
came
to
epitomise
the
very
idea
of
'light
entertainment'.
Films
likeTop
Hatand42nd
Street,Meet
Me
in
St.
LouisandOn
the
Town,Singin'
in
the
RainandOklahoma!,West
Side
StoryandThe
Sound
of
Musicwere
hugely
popular,
yet
were
commonly
regarded
by
cultural
commentators
as
trivial
and
escapist.
It
was
the
1970s
before
serious
study
of
the
Hollywood
musical
began
to
change
critical
attitudes
and
foster
an
interest
in
musical
films
produced
in
other
cultures.
Hollywood
musicals
have
become
less
common,
but
the
genre
persists
and
both
academic
interest
in
and
fond
nostalgia
for
the
musical
shows
no
signs
of
abating.
100 Film Musicalsprovides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition,100 Film Musicalsincludes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such asMoulin Rouge!andHigh School Musical, demonstrating that the genre is still very much alive.
100 Film Musicalsprovides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition,100 Film Musicalsincludes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such asMoulin Rouge!andHigh School Musical, demonstrating that the genre is still very much alive.
Caracteristici
New
volume
in
successful
series
of
guidebooks
The musical is one of cinema's bestloved genres
Book covers musicals from the UK, US, Spain, France, Jamaica, Japan and India among other countries
Richly illustrated with images from the films discussed
The musical is one of cinema's bestloved genres
Book covers musicals from the UK, US, Spain, France, Jamaica, Japan and India among other countries
Richly illustrated with images from the films discussed