17: Oberon Modern Plays
Autor Dameon Garnetten Limba Engleză Paperback – 30 iul 2014
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Specificații
ISBN-13: 9781783191581
ISBN-10: 1783191589
Pagini: 98
Dimensiuni: 130 x 210 x 8 mm
Greutate: 0.09 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1783191589
Pagini: 98
Dimensiuni: 130 x 210 x 8 mm
Greutate: 0.09 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
Notă biografică
Dameon Garnett has had two plays receive their world premieres at the Finborough Theatre - the Time Out Critics' Choice Break Away (2005) which starred Tina Malone of Shameless, and Follow (2008). His first play, New Year's Day, was performed at the Royal Court Young Writers' Festival, starring Michael Angelis. He also received a playwriting bursary from the Soho Theatre. This year, he was invited to become a member of the Studio Group at the Royal Court Theatre where he is working on a new play.
Recenzii
'You can't deny Garnett's bruising energy.'
'Break Away.signals the arrival of a perceptivelyclass-conscious and nuanced playwright.'
In many ways, this is quite a subtle picture of the problems in reconciling difference of culture and outlook at close quarters, though dramatist Dameon Garnett does not spell them out. His naturalistic dialogue and the personalities of these characters don't allow for much open discussion about it, but the script leaves space for the cast to play what they find without having to spell it out.
Garnett's writing is rich with everyday humour, funny yet truthful.
'Break Away.signals the arrival of a perceptivelyclass-conscious and nuanced playwright.'
In many ways, this is quite a subtle picture of the problems in reconciling difference of culture and outlook at close quarters, though dramatist Dameon Garnett does not spell them out. His naturalistic dialogue and the personalities of these characters don't allow for much open discussion about it, but the script leaves space for the cast to play what they find without having to spell it out.
Garnett's writing is rich with everyday humour, funny yet truthful.