Title and Deed: Oberon Modern Plays
Autor Will Enoen Limba Engleză Paperback – 4 mar 2012
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 77.46 lei 6-8 săpt. | |
Samuel French, Inc. – 19 mai 2015 | 77.46 lei 6-8 săpt. | |
Bloomsbury Publishing – 4 mar 2012 | 91.29 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781849434805
ISBN-10: 1849434808
Pagini: 68
Dimensiuni: 130 x 210 x 4 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1849434808
Pagini: 68
Dimensiuni: 130 x 210 x 4 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
Notă biografică
Will Eno lives in Greenpoint, New York. He is the recipient of a Residency 5 Fellowship at the Signature Theater, where Title and Deed will be performed, in May 2012. His play Middletown won the Horton Foote Award and was produced at the Vineyard Theater in New York and Steppenwolf in Chicago. His play Thom Pain (based on nothing) was a finalist for the 2005 Pulitzer Prize and has been translated into many Romance languages and several Slavic ones. He strikes me as being the real thing, a real playwright. He takes every chance. And Will keeps his voice his own: he has an awareness of the human condition I wish more people his age had. Edward Albee
Recenzii
The piece proves to be an always fascinating and surprisingly moving 70 minutes of theater - What emerges from his humorous, sometimes stream-of-conscious patter is a heartfelt exploration of the transience of everything in this life, from words themselves to relationships to our very existence.
A wonderfully wry and genuinely poetic send-up of the banality of corporate and political speak.
Eno channels Beckett madly and reverently (but not too reverently) adds a dollop of his own out-of-kilter language, and comes up with 70 mournfully comic minutes that are also mundane and terrifying - [A] devastating monologue.
A haunting and often fiercely funny meditation on life as a state of permanent exile... The marvel of Mr. Eno's voice is how naturally it combines a carefully sculptured lyricism with sly, poker-faced humor. Everyday phrases and familiar platitudes - "Don't ever change", "Who knows" - are turned inside out or twisted into blunt, unexpected punch lines punctuating long rhapsodic passages that leave you happily word-drunk.
A wonderfully wry and genuinely poetic send-up of the banality of corporate and political speak.
Eno channels Beckett madly and reverently (but not too reverently) adds a dollop of his own out-of-kilter language, and comes up with 70 mournfully comic minutes that are also mundane and terrifying - [A] devastating monologue.
A haunting and often fiercely funny meditation on life as a state of permanent exile... The marvel of Mr. Eno's voice is how naturally it combines a carefully sculptured lyricism with sly, poker-faced humor. Everyday phrases and familiar platitudes - "Don't ever change", "Who knows" - are turned inside out or twisted into blunt, unexpected punch lines punctuating long rhapsodic passages that leave you happily word-drunk.