A Christmas Carol: Flame Tree Collectable Classics
Autor Charles Dickens Contribuţii de Judith Johnen Limba Engleză Hardback – 13 sep 2021
Ebenezer Scrooge hates everyone and everything. Especially children. Especially Christmas. He’s greedy, wealthy and cold-hearted, which has harrowed his features, giving him a pointy nose and thin, blue lips. On Christmas Eve Scrooge is visited by the spirits of Christmas Past, Present and Yet to Come – but can they make him change his ways?
A Christmas Carol is a novella by Charles Dickens. It was first published on 19 December 1843 and the first edition had sold out by Christmas Eve. The story of the redemption of Ebenezer Scrooge has only continued to grow in popularity since then and it is now one of the most widely known stories in the world.
The FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library.
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Specificații
ISBN-13: 9781839642258
ISBN-10: 1839642254
Pagini: 384
Dimensiuni: 98 x 154 x 22 mm
Greutate: 0.22 kg
Ediția:Nouă
Editura: Flame Tree Publishing
Colecția Flame Tree Collectable Classics
Seria Flame Tree Collectable Classics
Locul publicării:London, United Kingdom
ISBN-10: 1839642254
Pagini: 384
Dimensiuni: 98 x 154 x 22 mm
Greutate: 0.22 kg
Ediția:Nouă
Editura: Flame Tree Publishing
Colecția Flame Tree Collectable Classics
Seria Flame Tree Collectable Classics
Locul publicării:London, United Kingdom
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Notă biografică
Charles Dickens was born in 1812 in Portsmouth, though he spent much of his life in Kent and London. A prolific writer, Dickens kept up a career in journalism as well as writing short stories and novels, with much of his work being serialised before being published as books. He gave a view of contemporary England with a strong sense of realism, yet instilled his stories with a sense of charm, fantastic characters and humour like no other. He continued to work himself hard up until his death in 1870, leaving 'The Mystery of Edwin Drood' unfinished.
Judith John (glossary) is a writer and editor specializing in literature and history. She has worked as an editor on major educational projects, including English A: Literature for the Pearson International Baccalaureate series. Judith’s major research interests include Romantic and Gothic literature, and Renaissance drama.
Judith John (glossary) is a writer and editor specializing in literature and history. She has worked as an editor on major educational projects, including English A: Literature for the Pearson International Baccalaureate series. Judith’s major research interests include Romantic and Gothic literature, and Renaissance drama.
Descriere
Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by two other tales: The Chimes and The Haunted Man.
Textul de pe ultima copertă
In October 1843, Charles Dickens heavily in debt and obligated to his publisher began work on a book to help supplement his family's meager income. That volume, "A Christmas Carol, "has long since become one of the most beloved stories in the English language. As much a part of the holiday season as holly, mistletoe, and evergreen wreaths, this perennial favorite continues to delight new readers and rekindle thoughts of charity and goodwill.
With its characters exhibiting many qualities as well as failures often ascribed to Dickens himself, the imaginative and entertaining tale relates Ebenezer Scrooge's eerie encounters with a series of spectral visitors. Journeying with them through Christmases past, present, and future, he is ultimately transformed from an arrogant, obstinate, and insensitive miser to a generous, warmhearted, and caring human being. Written by one of England's greatest and most popular novelists, "A Christmas Carol" has come to epitomize the true meaning of Christmas."
With its characters exhibiting many qualities as well as failures often ascribed to Dickens himself, the imaginative and entertaining tale relates Ebenezer Scrooge's eerie encounters with a series of spectral visitors. Journeying with them through Christmases past, present, and future, he is ultimately transformed from an arrogant, obstinate, and insensitive miser to a generous, warmhearted, and caring human being. Written by one of England's greatest and most popular novelists, "A Christmas Carol" has come to epitomize the true meaning of Christmas."
Extras
MARLEY was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge's name was good upon 'Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.
Mind! I don't mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.
Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don't know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.
The mention of Marley's funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet's Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul's Churchyard for instance—literally to astonish his son's weak mind.
Scrooge never painted out Old Marley's name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names: it was all the same to him.
Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn't thaw it one degree at Christmas.
External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn't know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often 'came down' handsomely, and Scrooge never did.
Nobody ever stopped him in the street to say, with gladsome looks, 'My dear Scrooge, how are you? when will you come to see me?' No beggars implored him to bestow a trifle, no children asked him what it was 'oclock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blindmen's dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, 'no eye at all is better than an evil eye, dark master!'
But what did Scrooge care? It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call 'nuts' to Scrooge.
Once upon a time—of all the good days in the year, on Christmas Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside, go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement-stones to warm them. The city clocks had only just gone three, but it was quite dark already: it had not been light all day: and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.
The door of Scrooge's counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk's fire was so very much smaller that it looked like one coal. But he couldn't replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed.
From the Paperback edition.
Mind! I don't mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.
Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don't know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.
The mention of Marley's funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet's Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul's Churchyard for instance—literally to astonish his son's weak mind.
Scrooge never painted out Old Marley's name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names: it was all the same to him.
Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn't thaw it one degree at Christmas.
External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn't know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often 'came down' handsomely, and Scrooge never did.
Nobody ever stopped him in the street to say, with gladsome looks, 'My dear Scrooge, how are you? when will you come to see me?' No beggars implored him to bestow a trifle, no children asked him what it was 'oclock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blindmen's dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, 'no eye at all is better than an evil eye, dark master!'
But what did Scrooge care? It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call 'nuts' to Scrooge.
Once upon a time—of all the good days in the year, on Christmas Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside, go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement-stones to warm them. The city clocks had only just gone three, but it was quite dark already: it had not been light all day: and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.
The door of Scrooge's counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk's fire was so very much smaller that it looked like one coal. But he couldn't replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed.
From the Paperback edition.
Recenzii
• "It has it all: a spooky ghost story, a heartwarming redemption and a great plot with a satisfyingly ending." --The Times
Bah! Humbug!' Mr Scrooge is a squeezing, wrenching, grasping, scraping, clutching, miserable old man. Nobody stops him in the street to say a cheery hello; nobody would dare ask him for a favour. And I hope you'd never be so foolish as to wish him a 'Merry Christmas'! Scrooge doesn't believe in Christmas, charity, kindness - or ghosts. But one cold Christmas Eve, Scrooge receives some unusual visitors who show him just how very mistaken he's been...BACKSTORY: Learn all about how the author Charles Dickens invented Christmas!
- "It has it all: a spooky ghost story, a heartwarming redemption and a great plot with a satisfyingly ending." --"The Times"
It has it all: a spooky ghost story, a heartwarming redemption and a great plot with a satisfyingly ending The Times A story which, perhaps more than any other, sums up the spirit of the British Christmas Sunday Telegraph A little masterpiece...irresistible Sunday Express
Bah! Humbug!' Mr Scrooge is a squeezing, wrenching, grasping, scraping, clutching, miserable old man. Nobody stops him in the street to say a cheery hello; nobody would dare ask him for a favour. And I hope you'd never be so foolish as to wish him a 'Merry Christmas'! Scrooge doesn't believe in Christmas, charity, kindness - or ghosts. But one cold Christmas Eve, Scrooge receives some unusual visitors who show him just how very mistaken he's been...BACKSTORY: Learn all about how the author Charles Dickens invented Christmas!
- "It has it all: a spooky ghost story, a heartwarming redemption and a great plot with a satisfyingly ending." --"The Times"
It has it all: a spooky ghost story, a heartwarming redemption and a great plot with a satisfyingly ending The Times A story which, perhaps more than any other, sums up the spirit of the British Christmas Sunday Telegraph A little masterpiece...irresistible Sunday Express
Cuprins
Author's Preface Preface Characters A Christmas Carol Stave I: Marley's Ghost Stave II: The First of the Three Spirits Stave III: The Second of the Three Spirits Stave IV: The Last of the Spirits Stave V: The End of It Editorische Notiz Literaturhinweise Nachwort