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A Director’s Guide to the Art of Stand-up: Performance Books

Autor Chris Head
en Limba Engleză Paperback – 11 iul 2018
Stand-up: it's the ultimate solo art form. Yet, behind the scenes, you will increasingly find the shadowy figure of a director. For comics themselves and for those who support them, this is the first book to give the director's perspective on creating and performing stand-up comedy. Drawing on his own experience of directing stand-up alongside speaking to comedians and their directors, Chris Head produces a revealing perspective on the creative process, comic persona, writing stand-up, structuring material and delivering a performance.Directors interviewed include Logan Murray, John Gordillo and Simon McBurney, who between them have directed Eddie Izzard, Michael McIntyre, Milton Jones, Lenny Henry and French & Saunders. With a foreword by BBC arts editor Will Gompertz and contributions from many other interviewees including Oliver Double (author of Getting the Joke), this is the only book that goes all the way from one-liners to theatre via comedy club sets and full-length shows.Perfect for stand-ups from newbies to pros, students of comedy, academics studying and teaching stand-up and for directors themselves, A Director's Guide to the Art of Stand-up offers hundreds of inspiring practical insights and shows how creating the comedian's highly personal, individual act can be a deeply collaborative process.
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Specificații

ISBN-13: 9781350035522
ISBN-10: 1350035521
Pagini: 200
Ilustrații: 2 bw illus
Dimensiuni: 138 x 216 x 18 mm
Greutate: 0.25 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Performance Books

Locul publicării:London, United Kingdom

Caracteristici

The book gives clear guidance on club sets and, uniquely, full-length shows drawing exclusively on real-world work on live stand-up performances

Notă biografică

Chris Head has established himself as one of the UK's leading comedy coaches and has twenty years' experience as a director of live shows. As director he has worked on shows at all the major venues of the Edinburgh Fringe, across London including Soho and Bloomsbury Theatres, on national UK tours and internationally at the likes of Melbourne and Adelaide Comedy Festivals, and LA Shorts Comedy Film Festival.

Cuprins

Foreword: Will Gompertz, BBC Arts EditorAct 1: On Stage Identity/Off-Stage Process1. Directing the Persona: The Comedic Self2. Where Comic Ideas Come From (And How to Cultivate Them)3. How Directors & Stand-Ups Work TogetherAct 2: Writing & Performing Stand-up4. The Interplay Between Writing and Performance5. Writing Jokes: Afterthoughts & Beforethoughts6. Re-Writing Jokes: To Fix Them, Improve Them and Suit the Teller7. It Takes Two: Incongruity, Transpositions, Analogies, Personification & Bathos8. Developing and Structuring Stories & Routines9. Set-up/Payoff in Stories & Routines10. Directing the Stand-up PerformanceAct 3: Full Length Shows & Theatre11.Developing and Structuring Full-Length Shows12. Vulnerability and Pain in Stand-up Shows13. Case Study: The Naked Racist14. Stand-Ups Do Theatre15. Theatre Makers Influenced by Stand-upAfterword: The End

Recenzii

Head's style is refreshingly breezy and simultaneously substantial. He offers practical insights: for example, audiences do not laugh at material, they laugh with or at the performer who discovers a compelling comedic self. In this remarkable manual, Head demonstrates what Horace Walpole once observed, namely that life is a comedy to those who think. And Head helps each comedic persona think.
It opened up a world that I didn't know before and haven't stopped exploring since. I hope this book does something similar for you