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Voice into Acting: Integrating Voice and the Stanislavski Approach: Performance Books

Autor Christina Gutekunst, John Gillett
en Limba Engleză Paperback – 10 feb 2021
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world.This updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms.The authors create a step-by-step guide to explore how voice can:- Respond to our thoughts, senses, feelings, imagination and will- Fully express language in content and form- Communicate imaginary circumstances and human experience- Transform to adapt to different roles- Connect to a variety of audiences and spacesFeaturing 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process.
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Specificații

ISBN-13: 9781350064911
ISBN-10: 1350064912
Pagini: 328
Ilustrații: 58 bw illus
Dimensiuni: 189 x 246 x 22 mm
Greutate: 0.64 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Performance Books

Locul publicării:London, United Kingdom

Caracteristici

New edition contains: a new section on vocal embodiment of actions, new findings from neuroscience as evidence of the science behind the approach, more exercises, warm-up routines for training, pre-rehearsal and pre-performance

Notă biografică

John Gillett is the author of Acting on Impulse - Reclaiming the Stanislavski Approach (Methuen Drama, 2007); the second extended edition, Acting Stanislavski - A practical guide to Stanislavski's approach and legacy (Bloomsbury, 2014); and co-author with Christina Gutekunst of Voice into Acting - Integrating voice and the Stanislavski approach (Bloomsbury 2014, and now in a second edition, 2021). He has also written articles on acting and the preface for a new edition of Stanislavski's Creating a Role (Bloomsbury Revelations, 2013). John trained as an actor in the approach of Stanislavski and Michael Chekhov and has worked widely in theatre, radio, film and television. He has taught and directed in many drama schools, including RADA, LAMDA, CSSD, and GSA, and was Head of the Post Graduate Acting Course at East 15. John has run acting workshops here and aboad, is a member of Equity and has had a prominent role in the writing of recent arts policy documents for Equity and the Creative and Leisure Industries Committee of the TUC (2019). Christina Gutekunst has been Head of Voice at East 15 Acting School since 2003. Apart from co-writing Voice into Acting, she contributed a chapter, Organic Voice: Vocal Integration through Actor Training in Somatic Voices in Performance Research and Beyond (edited by Christina Kapadocha, 2020). Christina trained as an actor in Germany and Britain, and then gained her Post Graduate diploma and MA in voice studies at the Royal Central School of Speech and Drama. She has taught voice in numerous acting schools, has worked on voice-overs as actor and director and co-ran two theatre companies. She has also coached on productions for TV and theatre.

Cuprins

What Practitioners Said about the First EditionIntroductionPart I: Laying the Foundations1. The Organic Acting Approach and the Voice2. The Organic Acting Approach and the BrainPart II: The Essential Vocal Six - And Integrating Acting into Voice3. Alignment: Backbone of the Action4. Breath: The Great Creative Connector5. Centred Onset of Sound: The Vocal Identity of the Actor6. Pitch Range: The Music of Meaning7. Resonance: Vibrating the Experience8. Articulation: Shaping Thought and ActionPart III: Integrating Voice into the Organic Acting Process9. Interval: Receiving and Responding10. Awareness, Ease and Focus11: The Action: Given Circumstances, Interaction and Objectives12. Vocal Embodiment of Actions13. Seeing, Sensing and Feeling14. Character and Voice15. The Actor in the SpacePart IV: Integrating Voice in Rehearsal and Performance: Putting It All Together16. Meeting the Play and the Character17. From Impulse to Action18. From Action to FormConclusionGlossarySelected Bibliography Index

Recenzii

The authors combine a depth of experience in voice teaching and in acting that enables them to write with authority, wisdom and clarity... The material is thorough, detailed, and very well organized. Strongly recommended.
A unique and valuable resource for all those who wish to explore a cohesive and fully integrated method for bringing a character to vivid life... engaging the voice, body, and mind.