Shakespeare's Advice to the Players: The Actor's Toolkit
Autor Sir Peter Hallen Limba Engleză Paperback – 18 mai 2022
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Specificații
ISBN-13: 9781350262737
ISBN-10: 1350262730
Pagini: 200
Dimensiuni: 138 x 216 x 19 mm
Greutate: 0.26 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria The Actor's Toolkit
Locul publicării:London, United Kingdom
ISBN-10: 1350262730
Pagini: 200
Dimensiuni: 138 x 216 x 19 mm
Greutate: 0.26 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria The Actor's Toolkit
Locul publicării:London, United Kingdom
Caracteristici
An essential text for classical training at drama school and an invaluable reference book for actors and directors working on Shakespeare
Notă biografică
Sir Peter Hall was one of the greatest theatre, film and opera directors of our time. At the age of 29 he founded the Royal Shakespeare Company. In 1973 he became Director of the National Theatre and opened the new theatres on the South Bank. He later founded the Peter Hall Company, producing many West End and Broadway successes. He directed at many international opera houses, including Glyndebourne, the Royal Opera House, Covent Garden, the Metropolitan Opera and Bayreuth. He directed over two hundred productions, including the world premiere in English of Samuel Beckett's Waiting for Godot, and the premieres of most of Harold Pinter's plays.
Recenzii
Acting students and young professionals will flock to learn from him - passionate, entertaining - Indisputably wise and true - Wonderfully illuminating
As fascinating to readers as it is to actors
This is the most fabulously hybrid book - part actor's handbook, part memoir - what is most inspiring is Hall's conviction that form can be as exciting as feeling. Acting in this way is more than just listening to Shakespeare - it is responding to Shakespeare's linear needs
As fascinating to readers as it is to actors
This is the most fabulously hybrid book - part actor's handbook, part memoir - what is most inspiring is Hall's conviction that form can be as exciting as feeling. Acting in this way is more than just listening to Shakespeare - it is responding to Shakespeare's linear needs