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A Doll's House

Autor Henrik Ibsen
en Limba Engleză Paperback – 30 mai 2019
Henrik Johan Ibsen (20 March 1828 - 23 May 1906) was a Norwegian playwright, theatre director, and poet. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Pillars of Society, The Lady from the Sea, Rosmersholm, The Master Builder, and John Gabriel Borkman. He is the most frequently performed dramatist in the world after Shakespeare, and by the early 20th century A Doll's House became the world's most performed play. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities that lay behind the facades, revealing much that was disquieting to a number of his contemporaries. He had a critical eye and conducted a free inquiry into the conditions of life and issues of morality. His early poetic and cinematic play Peer Gynt, however, has also strong surreal elements. Ibsen is often ranked as one of the most distinguished playwrights in the European tradition. Richard Hornby describes him as "a profound poetic dramatist-the best since Shakespeare". He is widely regarded as the foremost playwright of the nineteenth century. He influenced other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, Arthur Miller, James Joyce, Eugene O'Neill, and Miroslav Krle¿a. Ibsen was nominated for the Nobel Prize in Literature in 1902, 1903, and 1904. Ibsen wrote his plays in Danish (the common written language of Denmark and Norway during his lifetime) and they were published by the Danish publisher Gyldendal. Although most of his plays are set in Norway-often in places reminiscent of Skien, the port town where he grew up-Ibsen lived for 27 years in Italy and Germany, and rarely visited Norway during his most productive years. Born into a merchant family connected to the patriciate of Skien, Ibsen shaped his dramas according to his family background. He was the father of Prime Minister Sigurd Ibsen. Ibsen's dramas have a strong influence upon contemporary culture. (wikipedia.org)
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Specificații

ISBN-13: 9781644391808
ISBN-10: 1644391805
Pagini: 124
Dimensiuni: 152 x 229 x 7 mm
Greutate: 0.19 kg
Editura: Indoeuropeanpublishing.com

Notă biografică

Henrik Ibsen (20 March 1828 - 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. He is the most frequently performed dramatist in the world after Shakespeare, and was nominated for the Nobel Prize in Literature in 1902, 1903, and 1904. Ibsen spent several years employed at Det norske Theater, where he was involved in the production of more than 145 plays as a writer, director, and producer. During this period, he published five new, though largely unremarkable, plays. In 1858, Ibsen became the creative director of the Christiania Theatre. He married Suzannah Thoresen later that year, but the couple lived in poor financial circumstances and Ibsen became very disenchanted with life. Ibsen left Christiania and went to Sorrento in Italy in self-imposed exile. He didn't return to his native land for the next 27 years, and when he returned, it was as a noted, but controversial, playwright.

Descriere

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Nora Helmer, wife to Torvald and mother of three children, appears to enjoy living the life of a pampered, indulged child. But as her economic dependence becomes brutally clear, Nora's acceptance of the status quo undergoes a profound change. To the horror of the bewildered Torvald, himself caught in the tight web of a conservative society which de

Caracteristici

Simon Stephens is highly regarded as a playwright, especially among young people, and so his take on a classic play will hold much interest among the drama and student communities.

Recenzii

Simon Stephens's agile new version [is] . . . quick and clear and full of subtle touches
A sensible, sensitive and spirited version . . . that chimes with the debt-laden times we're trapped in and poses still-pressing questions
The supple new version of the text by Simon Stephens is [a] great plus point . . . in this definitive take on a classic
An astute, often savagely funny version by Simon Stephens . . . And as the doll at the play's heart and hearth cracks like porcelain and the woman emerges, it's with a force that's shattering.
Simon Stephens's new English-language version of the text . . . makes the characters' anxieties feel contemporary despite the period dress. "Feminism" may not have been in Ibsen's vocabulary, but he was undoubtedly concerned with the roles we all play and why.