A Guide to Post-classical Narration: The Future of Film Storytelling
Autor Dr. Eleftheria Thanoulien Limba Engleză Paperback – 13 dec 2023
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Specificații
ISBN-13: 9781501393075
ISBN-10: 1501393073
Pagini: 288
Ilustrații: 297 colour illus
Dimensiuni: 152 x 229 x 17 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501393073
Pagini: 288
Ilustrații: 297 colour illus
Dimensiuni: 152 x 229 x 17 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Interest in film narratology has increased significantly in the last 10-15 years, which is reflected in the rise not only of books but also journal articles on this topic
Notă biografică
Eleftheria Thanouli is Professor in Film Theory at Aristotle University of Thessaloniki, Greece, and author of Post-classical Cinema: an International Poetics of Film Narration (2009), Wag the Dog: a Study on Film and Reality in the Digital Age (Bloomsbury, 2013) and History and Film: A Tale of Two Disciplines (Bloomsbury, 2018).
Cuprins
AcknowledgementsPreface Introduction1. Post-classical narrative logic 1.1. Introduction 1.2. Post-classical compositional motivation 1.3. Post-classical realistic motivation 1.4. Post-classical generic motivation 1.5. Post-classical artistic motivation 1.6. Conclusion2. Post-classical space 2.1. Introduction 2.2. Intensified continuity 2.3. Graphic frame 2.4. Spatial montage 2.5. Conclusion3. Post-classical time 3.1. Introduction 3.2. Mediated time 3.3. Complex chronology 3.4. Elastic duration 3.5. Conclusion4. Post-classical narration 4.1. Introduction 4.2. Self-consciousness, knowledgeability, communicativeness 4.3. Levels of narration 4.4. Conclusion5. The post-classical auteur: Quentin Tarantino 5.1. Introduction 5.2. Pulp Fiction (1994) 5.3. Kill Bill Vol. I (2003) 5.4. Inglourious Basterds (2009) 5.5. Once upon a time in Hollywood (2019) 5.6. ConclusionConclusion ReferencesFilmographyAppendix A: List of suggested post-classical films
Recenzii
This guide offers the first comprehensive study of post-classical cinema as a prominent and consistent form of storytelling in the current media landscape. Merging ongoing debates in film narratology with key topics from contemporary cinema studies, the narratological analyses and case studies in this book show how the post-classical has developed into a rich and diverse narrative style, with a surprisingly consistent set of underlying compositional principles and norms.
The complex fictional worlds of Nolan and Tarantino, among other contemporary filmmakers, are elucidated in Thanouli's compelling approach to narrative analysis. A bracing and authoritative model for reading the most challenging film texts of the 21st century.
This "guide" helps solve the Rubik's Cube of Post-Classical Narration by exposing the innards of films that have baffled students since 1990. Sketching how 35 titles, drawn from her list of 220, expanded the rules and limits of storytelling on screen, Eleftheria Thanouli reinvigorates, with intensified continuity, the historical poetics championed by David Bordwell, her own distinguished guide. The fundaments of film theory uphold her bracingly clear survey of this spate of formerly (and formally) perplexing films, dissipating the critical fog surrounding them and shining back on film history in toto.
Thanouli makes a compelling case for post-classical narration as a persistent thread in global cinema since the 1990s, showing how new modes of self-consciousness and textual play have been integrated into contemporary screen storytelling. A key strength of the book is in its vivid, concise film analyses, which illustrate the overt and hypermediated convolutions of space, time, and narration that have reshaped cinema across a range of national and industrial contexts.
Eleftheria Thanouli's book is notable for employing formalist theory to delineate the distinctive traits of the post-classical mode of narration. Yet, this is not an abstract treatise on film narratology, for each chapter is infused with numerous concise and insightful case studies of films ranging from Requiem for a Dream to Once Upon a Time in Hollywood, ending with a comparative study of the author's and David Bordwell's different formal analyses of Dunkirk. This book's balance of theory and examples, as well as the clarity of Thanouli's writing, makes it an ideal guide to the narrational strategies and tactics of post-classical cinema.
The complex fictional worlds of Nolan and Tarantino, among other contemporary filmmakers, are elucidated in Thanouli's compelling approach to narrative analysis. A bracing and authoritative model for reading the most challenging film texts of the 21st century.
This "guide" helps solve the Rubik's Cube of Post-Classical Narration by exposing the innards of films that have baffled students since 1990. Sketching how 35 titles, drawn from her list of 220, expanded the rules and limits of storytelling on screen, Eleftheria Thanouli reinvigorates, with intensified continuity, the historical poetics championed by David Bordwell, her own distinguished guide. The fundaments of film theory uphold her bracingly clear survey of this spate of formerly (and formally) perplexing films, dissipating the critical fog surrounding them and shining back on film history in toto.
Thanouli makes a compelling case for post-classical narration as a persistent thread in global cinema since the 1990s, showing how new modes of self-consciousness and textual play have been integrated into contemporary screen storytelling. A key strength of the book is in its vivid, concise film analyses, which illustrate the overt and hypermediated convolutions of space, time, and narration that have reshaped cinema across a range of national and industrial contexts.
Eleftheria Thanouli's book is notable for employing formalist theory to delineate the distinctive traits of the post-classical mode of narration. Yet, this is not an abstract treatise on film narratology, for each chapter is infused with numerous concise and insightful case studies of films ranging from Requiem for a Dream to Once Upon a Time in Hollywood, ending with a comparative study of the author's and David Bordwell's different formal analyses of Dunkirk. This book's balance of theory and examples, as well as the clarity of Thanouli's writing, makes it an ideal guide to the narrational strategies and tactics of post-classical cinema.