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A History of Italian Cinema: Cinema Paradiso?: Film und Bewegtbild in Kultur und Gesellschaft

Autor Irmbert Schenk
en Limba Engleză Paperback – 23 sep 2024
This book provides a complete description of the development of Italian film and cinema from its beginnings in 1895 until today. Special emphasis is placed on those periods in which Italian film history became aesthetically decisive for world cinematography: silent film of the 1910s, neorealism after World War II, and auteur and genre cinema around 1960. And then on the multifaceted development up to the present day, which still guarantees films from Italy a significant place in international cinema. The chapters are introduced with compact descriptions of Italy's political and social history and the institutional formation of film and cinema. This is the basis for the extensive examination of genres and films. The film analyses also include a look at the reception by the audiences.
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Specificații

ISBN-13: 9783658448202
ISBN-10: 3658448202
Pagini: 350
Ilustrații: Approx. 350 p. 51 illus.
Dimensiuni: 148 x 210 x 21 mm
Greutate: 0.4 kg
Ediția:2024
Editura: Springer Fachmedien Wiesbaden
Colecția Springer VS
Seria Film und Bewegtbild in Kultur und Gesellschaft

Locul publicării:Wiesbaden, Germany

Cuprins

The silent film from 1895 to the 1910s.- Film and Cinema after World War I and under Fascism.- Neorealism.- The 1950s.- The departure of Italian cinema around 1960.- Crisis and new beginning of Italian Cinema.- The cinema of the present.- Concluding remarks.

Notă biografică

Dr. Irmbert Schenk is Professor emeritus at the University of Bremen specializing in Media Studies, European and German Cinema, Film Reception and Media Education. He has also taught in Italy, Argentina and Austria.

Textul de pe ultima copertă

This book provides a complete description of the development of Italian film and cinema from its beginnings in 1895 until today. Special emphasis is placed on those periods in which Italian film history became aesthetically decisive for world cinematography: silent film of the 1910s, neorealism after World War II, and auteur and genre cinema around 1960. And then on the multifaceted development up to the present day, which still guarantees films from Italy a significant place in international cinema. The chapters are introduced with compact descriptions of Italy's political and social history and the institutional formation of film and cinema. This is the basis for the extensive examination of genres and films. The film analyses also include a look at the reception by the audiences.
 
The author
Dr. Irmbert Schenk is Professor emeritus at the University of Bremen specializing in Media Studies, European and German Cinema, Film Reception and Media Education. He has also taught in Italy, Argentina and Austria.

Caracteristici

Complete history of Italian cinema from 1895 until today Concise introductions to political and social history of Italy Cronological narration of the formation of genres and films