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A House of Gentlefolk

Autor Ivan Turgenev
en Limba Engleză Paperback – 21 aug 2022
Home of the Gentry, also translated as A House of Gentlefolk, is a novel by Ivan Turgenev published in the January 1859 issue of Sovremennik. It was enthusiastically received by the Russian society and remained his least controversial and most widely read novel until the end of the 19th century. Turgenev wrote the novel shortly after his 40th birthday, and it expresses some of his feelings about middle age, as its protagonist is forced to confront the mistakes of his past and determine what options are left for his dwindling future. The novel is often recognized for its musical elements and the quiet lull of its prose.
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Specificații

ISBN-13: 9781006010187
ISBN-10: 1006010181
Pagini: 210
Dimensiuni: 152 x 229 x 12 mm
Greutate: 0.31 kg
Editura: Blurb

Notă biografică

Ivan Sergeyevich Turgenev (1818 - 1883) was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West. His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian realism and his novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction. Turgenev's artistic purity made him a favorite of like-minded novelists of the next generation, such as Henry James and Joseph Conrad, both of whom greatly preferred Turgenev to Tolstoy and Dostoyevsky. James, who wrote no fewer than five critical essays on Turgenev's work, claimed that "his merit of form is of the first order" (1873) and praised his "exquisite delicacy", which "makes too many of his rivals appear to hold us, in comparison, by violent means and introduce us, in comparison, to vulgar things" (1896). Vladimir Nabokov, notorious for his casual dismissal of many great writers, praised Turgenev's "plastic musical flowing prose", but criticized his "labored epilogues" and "banal handling of plots". Nabokov stated that Turgenev "is not a great writer, though a pleasant one" and ranked him fourth among nineteenth-century Russian prose writers, behind Tolstoy, Gogol and Anton Chekhov, but ahead of Dostoyevsky. His idealistic ideas about love, specifically the devotion a wife should show her husband, were cynically referred to by characters in Chekhov's "An Anonymous Story".