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A Korean Approach to Actor Training de Jeungsook Yoo

A Korean Approach to Actor Training

Autor Jeungsook Yoo
en Limba Engleză Hardback – 26 sep 2017
A Korean Approach to Actor Training develops a vital, intercultural method of performer training, introducing Korean and more broadly East Asian discourses into contemporary training and acting practice.
This volume examines the psychophysical nature of a performer’s creative process, applying Dahnhak, a form of Korean meditation, and its central principle of ki-energy, to the processes and dramaturgies of acting. A practitioner as well as a scholar, Jeungsook Yoo draws upon her own experiences of training and performing, addressing productions including Bald Soprano (2004), Water Station (2004) and Playing ‘The Maids’ (2013–2015).
A significant contribution to contemporary acting theory, A Korean Approach to Actor Training provides a fresh outlook on performer training which will be invaluable to scholars and practitioners alike.
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Specificații

ISBN-13: 9781138189386
ISBN-10: 1138189383
Pagini: 146
Dimensiuni: 138 x 216 x 10 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Cuprins

Chapter 1: Introduction – Toward Gained Nature in Artificiality
  1. An Intercultural and Psychophysical Approach to Acting and Actor Training
  2. Meditation and Acting as a Psychophysical ‘Technique’
  3. Tao, Te and Kungfu
Chapter 2: Dahnhak Meditation – Recovering Sensitivity Toward Mastery
  1. Introduction to DahnhakDahnhak
    Ki in Dahnhak
    Three Principles
    Three Methods
    Dahnhak Practice
  2. Three Methods Practice
Chapter 3: The Bald Soprano – Forming an Active-Passive Relationship
  1. Introduction
  2. From Paper to Time and Space – The Nature of Acting Acting – A Psychophysical Activity
    Words – Psychophysical Vibration
  3. Forming an Active-Passive Relationship to a Psychophysical Score
A Process of Creating a Score
Space as a Channel – Resonance
Integration
Chapter 4: The Water Station – Moving Ki in Inner and Outer Space
  1. Introduction
  2. A Starting Point of Acting – A Way of Appreciation
  3. The ‘Visible’ and the ‘Invisible’
  4. A Design of Awareness and Ki – Moving Ki in Time and Space Scene 1 GIRL
    Scene 2 TWO MEN
    Scene 3 WOMAN WITH A PRASOL
    Scene 9 THE GIRL
  5. Autonomy of the Ki-Flow
Chapter 5: Playing ‘the Maids’ – Tuning Emotional Ki
  1. Introduction
  2. The Korean Imagination – Han and Salpuri DanceSalpuri Dance – Embodiment of Han
    Han – The Aesthetics of Fermentation
  3. Emotion as KiEmotion in the Context of Its Embodiment
    Tunable Elements of Emotional Ki
  4. Tuning the Characteristics of Emotional Ki‘I Can Not’
    ‘Release of Han Dance (Salpuri) and Vocal Duet’
  5. A Character’s Emotion and an Actor’s Emotion
Chapter 6: Conclusion – A Theory of Sympathy
Bibliography

Notă biografică

Jeungsook Yoo was recently Head of the World Performance course at East 15 Acting School (UK). She currently teaches at Korea National University of the Arts and Soongsil University (Korea). She holds a PhD from the University of Exeter (UK). She is co-founder with Sunhee Kim of Theatre P'yut (Seoul), and is an actress and director.

Descriere

A Korean Approach to Actor Training develops a vital, intercultural method of performer training, introducing Korean and more broadly East Asian discourses into contemporary training and acting practice.