A Midsummer Night's Dream: The Pelican Shakespeare
Autor William Shakespeare Editat de Stephen Orgel, A.R. Braunmulleren Limba Engleză Paperback – 7 iul 2016
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Specificații
ISBN-13: 9780143128588
ISBN-10: 0143128582
Pagini: 144
Dimensiuni: 127 x 195 x 9 mm
Greutate: 0.11 kg
Editura: Penguin Random House Group
Colecția Penguin Classics
Locul publicării:New York, United States
ISBN-10: 0143128582
Pagini: 144
Dimensiuni: 127 x 195 x 9 mm
Greutate: 0.11 kg
Editura: Penguin Random House Group
Colecția Penguin Classics
Locul publicării:New York, United States
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Notă biografică
William Shakespeare 26 April 1564 ¿ 23 April 1616was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist.He is often called England's national poet and the "Bard of Avon".His extant works, including collaborations, consist of approximately 39 plays,154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.[
Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. . Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. Until about 1608, he wrote mainly tragedies, among them Hamlet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights.
Throughout the 20th and 21st centuries, Shakespeare's works have been continually adapted and rediscovered by new movements in scholarship and performance. His plays remain popular and are studied, performed, and reinterpreted through various cultural and political contexts around the world.
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A Midsummer Night's Dream is perhaps the best loved of Shakepeare's plays. It brings together aristocrats, workers, and fairies in a wood outside Athens, and from there the enchantment begins. Simple and engaging on the surface, it is none the less a highly original and sophisticated work, remarkable for both its literary and its theatrical mastery. It is one of the very few of Shakespeare's plays which do not draw on narrative sources, which suggests that it reflects his deepest imaginative concerns to an unusual degree. In his introduction Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows. Both here and in his commentary he explores the play's extensive performance history to illustrate the wide range of interpretations of which it is capable. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
A Midsummer Night's Dream is perhaps the best loved of Shakepeare's plays. It brings together aristocrats, workers, and fairies in a wood outside Athens, and from there the enchantment begins. Simple and engaging on the surface, it is none the less a highly original and sophisticated work, remarkable for both its literary and its theatrical mastery. It is one of the very few of Shakespeare's plays which do not draw on narrative sources, which suggests that it reflects his deepest imaginative concerns to an unusual degree. In his introduction Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows. Both here and in his commentary he explores the play's extensive performance history to illustrate the wide range of interpretations of which it is capable. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Cuprins
About The Series
About This Volume
List of Illustrations
Introduction
PART I: WILLIAM SHAKESPEARE, A MIDSUMMER NIGHT'S DREAM (EDITED BY DAVID BEVINGTON)
PART II. CONTEXTUAL READINGS
1. Popular Festivals and Court Celebrations
The Rites of May
John Stow,From A Survey of London
Henry Machyn,From Diary of a Resident in London
Philip Stubbes,From The Anatomy of Abuses
The Ballad
The Fetching Home of May
Court Entertainments
Kenilworth and Coventry
Robert Laneham, From A Letter Descibing the Entertainment of the Queen at Kenilworth
Coventry Records of the Hock Tuesday Play
The Fairy Queen
From Entertainment at Elvetham
Edmund Spencer, From The Shepheardes Calendar
2. The Making of Men
The Ranks of Men: William Harrison's Of Degrees of People
William Harrison, From The Description of England
The Formation of the Ruler: Plutarch's Life of Theseus
Plutarch, From The Lives of Nobles Grecians and Romans
The Formation of the Gentleman: Sir Thomas Elyot and Rodger Ascham
Sir Thomas Elyot, From The Book Named the Governor
Rodger Ascham, From The Schoolmaster
Working Men
The Statute of Artificers
From The Statute of Artificers
Royal Proclaimation Regulating Chester Wages
The New Man: Simon Forman's Dreams
Simon Forman, From The Autobiography of Simon Forman
3.Female Attachments and Family Ties
Amazons
Christine de Pizan, From The Book of the City of Ladies
Sir Walter Raleigh, From The History of the World
John Knox, From The First Blast of the Trumpet against the Monstrous Regiments of Women
Queen Elizabeth I, Address to the Troops at Tilbury
Gossips
Edward Gosynhyll, From The Schoolhouse of Women
Nuns
Richard Layton, A Letter, Certifying the Incontinency of the Nuns of Syon
Desiderius Erasmus, From A Maid Hating Marriage
The Virgin Queen
Queen Elizabeth I, From Speech to Parliment on Marriage and Succession
William Camden, From The Annals of Queen Elizabeth
A Poet and Her Patron
Amelia Lanyer, From The Description of Cooke-ham
Family Ties
Thomas Becon, From A New Catechism
Henry Bullinger, From The Christian Statue of Matrimony
William Gouge, From Of Domestical Duties
Philip Stubbes, From A Crystal Glass for Christian Women
4. Natural and Supernatural
Bad Weather and Dearth
John Stow, From The Annals of England
Metamorphosis and Monstrosity
Ovid and Reginald Scot
Ovid, From Metamorphoses, Book 14
Bestiality and Monstrosity
Prosecuting Buggery
From Calendar of Assize Records
Monsters and Prodigies
Ambroise Paré, From Of Monsters and Prodigies
Fairy Belief
John Aubrey,Collecting Fairy Lore
Richard Corbett, The Fairies' Farewell
The Mad Merry Pranks of Robin Good-fellow
ICorinthians 2:1--16
Bibliography
Index
ILLUSTRATIONS
1. Title Page of the Quarto A Midsummer Night's Dream
2. Woodcuts fo City and Woods from the Roxburghe Ballasd
3. Morris Dancers from the WIndow of a Gentleman'a House
4. Maypole DAnce from Michael Drayton;s Poly-Olbion
5. Woodcut Illustrating the Ballas "The Crost Couple"
6. Queen Elizabeth I on a Hunt
7. The Entertainment at Elvetham
8. The Queen and Her Court, from Edmund Spencer's The Shepheaardes Calandar
9. Page from Plutarch's The Lives of the Noble Grecians and Romans
10. Title Page from A Catechism
11. Title Page from George Tuberville's The Noble Art of Venery
12. Manuscript Page from The Autobiography of SImon Forman
13. Lascivious and Threatening Amazons from Sir Walter Raleigh's The Discovery of Guiana
14. Amazons, Each with a Breast Removed, from John Bulwer's Anthropometamorphosis
15. Queen Elizabeth I as an Amazon
16. Frontispiece from Samuel Rowland's 'Tis Merry When Gossip Meet
17. Woodcut from Christine de Pizan's The Book of the City of Ladies
18. Circe Transforming Ulysses' Sailor into Animals
19. Monster, Half-Man, Half-Pig, from Ambroise Pare's Of Monsters and Prodigies
20. Title Page from Robin Good-fellow, His Mad Pranks
About This Volume
List of Illustrations
Introduction
PART I: WILLIAM SHAKESPEARE, A MIDSUMMER NIGHT'S DREAM (EDITED BY DAVID BEVINGTON)
PART II. CONTEXTUAL READINGS
1. Popular Festivals and Court Celebrations
The Rites of May
John Stow,From A Survey of London
Henry Machyn,From Diary of a Resident in London
Philip Stubbes,From The Anatomy of Abuses
The Ballad
The Fetching Home of May
Court Entertainments
Kenilworth and Coventry
Robert Laneham, From A Letter Descibing the Entertainment of the Queen at Kenilworth
Coventry Records of the Hock Tuesday Play
The Fairy Queen
From Entertainment at Elvetham
Edmund Spencer, From The Shepheardes Calendar
2. The Making of Men
The Ranks of Men: William Harrison's Of Degrees of People
William Harrison, From The Description of England
The Formation of the Ruler: Plutarch's Life of Theseus
Plutarch, From The Lives of Nobles Grecians and Romans
The Formation of the Gentleman: Sir Thomas Elyot and Rodger Ascham
Sir Thomas Elyot, From The Book Named the Governor
Rodger Ascham, From The Schoolmaster
Working Men
The Statute of Artificers
From The Statute of Artificers
Royal Proclaimation Regulating Chester Wages
The New Man: Simon Forman's Dreams
Simon Forman, From The Autobiography of Simon Forman
3.Female Attachments and Family Ties
Amazons
Christine de Pizan, From The Book of the City of Ladies
Sir Walter Raleigh, From The History of the World
John Knox, From The First Blast of the Trumpet against the Monstrous Regiments of Women
Queen Elizabeth I, Address to the Troops at Tilbury
Gossips
Edward Gosynhyll, From The Schoolhouse of Women
Nuns
Richard Layton, A Letter, Certifying the Incontinency of the Nuns of Syon
Desiderius Erasmus, From A Maid Hating Marriage
The Virgin Queen
Queen Elizabeth I, From Speech to Parliment on Marriage and Succession
William Camden, From The Annals of Queen Elizabeth
A Poet and Her Patron
Amelia Lanyer, From The Description of Cooke-ham
Family Ties
Thomas Becon, From A New Catechism
Henry Bullinger, From The Christian Statue of Matrimony
William Gouge, From Of Domestical Duties
Philip Stubbes, From A Crystal Glass for Christian Women
4. Natural and Supernatural
Bad Weather and Dearth
John Stow, From The Annals of England
Metamorphosis and Monstrosity
Ovid and Reginald Scot
Ovid, From Metamorphoses, Book 14
Bestiality and Monstrosity
Prosecuting Buggery
From Calendar of Assize Records
Monsters and Prodigies
Ambroise Paré, From Of Monsters and Prodigies
Fairy Belief
John Aubrey,Collecting Fairy Lore
Richard Corbett, The Fairies' Farewell
The Mad Merry Pranks of Robin Good-fellow
ICorinthians 2:1--16
Bibliography
Index
ILLUSTRATIONS
1. Title Page of the Quarto A Midsummer Night's Dream
2. Woodcuts fo City and Woods from the Roxburghe Ballasd
3. Morris Dancers from the WIndow of a Gentleman'a House
4. Maypole DAnce from Michael Drayton;s Poly-Olbion
5. Woodcut Illustrating the Ballas "The Crost Couple"
6. Queen Elizabeth I on a Hunt
7. The Entertainment at Elvetham
8. The Queen and Her Court, from Edmund Spencer's The Shepheaardes Calandar
9. Page from Plutarch's The Lives of the Noble Grecians and Romans
10. Title Page from A Catechism
11. Title Page from George Tuberville's The Noble Art of Venery
12. Manuscript Page from The Autobiography of SImon Forman
13. Lascivious and Threatening Amazons from Sir Walter Raleigh's The Discovery of Guiana
14. Amazons, Each with a Breast Removed, from John Bulwer's Anthropometamorphosis
15. Queen Elizabeth I as an Amazon
16. Frontispiece from Samuel Rowland's 'Tis Merry When Gossip Meet
17. Woodcut from Christine de Pizan's The Book of the City of Ladies
18. Circe Transforming Ulysses' Sailor into Animals
19. Monster, Half-Man, Half-Pig, from Ambroise Pare's Of Monsters and Prodigies
20. Title Page from Robin Good-fellow, His Mad Pranks
Recenzii
A series that reboots the way Shakespeare's plays are printed . I quickly came to love having notes at the same eye level as the text to which they relate. It's significantly quicker and easier to glance to the right to get a meaning, than to constantly look up and down between text and a dense pile of notes on the bottom of the page. With these books, even note-dependent reading can continue virtually uninterrupted, making them ideal for following a recorded performance or reading aloud . Although the books in this series were created for actors and directors, their sheer vivacity and user-friendliness makes them ideal for students and teachers too. They add just enough information to bring the language to life without getting bogged down in details.
These editions are likely to help not only actors and drama students but also all amateur Shakespeareans including schools and colleges which stage the plays . What genius to have Simon Russell Beale as a series editor along with two Shakespeare Institute academics, Michael Dobson and Abigail Rokison-Woodall.
The Arden Performance Editions so far represent a much-needed and important contribution. In such a crowded market, it is remarkable to see editions that feel so fresh, relevant, and necessary.
These editions are likely to help not only actors and drama students but also all amateur Shakespeareans including schools and colleges which stage the plays . What genius to have Simon Russell Beale as a series editor along with two Shakespeare Institute academics, Michael Dobson and Abigail Rokison-Woodall.
The Arden Performance Editions so far represent a much-needed and important contribution. In such a crowded market, it is remarkable to see editions that feel so fresh, relevant, and necessary.
Caracteristici
Leading actor Simon Russell Beale is one of three distinguished Series Editors who have developed the series