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A Musicology of Performance de Dorottya Fabian

A Musicology of Performance

Autor Dorottya Fabian
en Limba Engleză Hardback – 8 oct 2020
This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach's Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of embedded audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus.

This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

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Specificații

ISBN-13: 9781013285516
ISBN-10: 1013285514
Pagini: 352
Dimensiuni: 221 x 286 x 23 mm
Greutate: 1.11 kg
Editura: Saint Philip Street Press

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The nature of musical performance has intrigued researchers for a long time. This book explores the contributions and limitations of some of these approaches, be it theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach's 6 Sonatas and Partitas for Solo Violin it demonstrates that music performance functions as complex dynamical systems. As such only a transdisciplinary approach to analysis is able to verbalize the aural experience. The book provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures, from the cultural-historical to the perceptual-phenomenological. The focus is always on the detail in context, the relative contribution of the interacting elements creating the holistic experience. A Musicology of Performance also considers a crucial but under-researched element in virtually all studies of performance, namely, the ways in which performers learn from one another and develop their own micro-traditions. The repertoire analyzed in this book demonstrates the reliability of the analytical method, providing evidence for the proposed theoretical model, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. The book contains a wealth of audio examples, tables and graphs to better map the interaction between historically informed and mainstream performance styles considered in relation to broader cultural trends, violin schools and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus.