A New Economic Theory of Public Support for the Arts: Evolution, Veblen and the predatory arts: Routledge Advances in Heterodox Economics
Autor Arnaldo Baroneen Limba Engleză Paperback – 30 iun 2020
This book applies a Veblenian approach to understanding economic development to investigate public support for the arts in an effort to determine whether this approach can elucidate economic rationales for public support. Divided into three parts, the first provides basic information on public support for the arts by surveying support in the United States and Australia. Part two includes a neoclassical overview of the topic while part three presents Veblen’s ideas on economic development.
This book will be of interests to researchers concerned with cultural and institutional economics, as well as political economy.
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 257.54 lei 6-8 săpt. | |
Taylor & Francis – 30 iun 2020 | 257.54 lei 6-8 săpt. | |
Hardback (1) | 814.23 lei 6-8 săpt. | |
Taylor & Francis – 8 dec 2015 | 814.23 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780367597405
ISBN-10: 0367597403
Pagini: 306
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Heterodox Economics
Locul publicării:Oxford, United Kingdom
ISBN-10: 0367597403
Pagini: 306
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Heterodox Economics
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
1. Introduction 2. Understanding Public Support for the Arts 3. The Economics of the Arts 4. Public Support for the Arts 5. Veblen and his muses 6. Veblen’s Economic Edifice 7. Production and Consumption through the Veblenian Prism 8. The Veblenian Duality and Public Support for the Arts 9. Conclusion
Descriere
Should the arts receive public support? Can the arts survive in a modern capitalist society? Can economics shed light on the nature of public support, and whether there is a rationale for public intervention? This book undertakes to examine these questions as it explores the ways government and public resources are used to support the arts.