A New History of Documentary Film
Autor Betsy A. McLaneen Limba Engleză Paperback – 25 ian 2023
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Specificații
ISBN-13: 9781501385155
ISBN-10: 1501385151
Pagini: 464
Ilustrații: 110 bw illus and 14 color illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.71 kg
Ediția:3
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501385151
Pagini: 464
Ilustrații: 110 bw illus and 14 color illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.71 kg
Ediția:3
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
The third edition will add an essential list of documentary filmmakers, organized chronologically by the years of their activity in the field - the first document of its kind
Notă biografică
Betsy A. McLane, Ph.D. is the author of A New History of Documentary Film. She was Executive Director of the International Documentary Association for 8 years. Dr. McLane was a member of the faculties of Loyola Marymount University, Emerson College, The University of Vermont, and Southern Oregon University, USA. She is a member of the Documentary Branch of The Academy of Motion Picture Arts and Sciences, and was the first woman President of the University Film and Video Association.
Cuprins
ForewordIntroduction1. Considering Documentary2. Visual Anthropology-Humanities Studies/Exploitation3. Soviet Formalism4. Propaganda Definitions & Making Judgments5. Government Agencies and WWII6. Newsreels 1910-19557. Free Cinema8. New Left in Europe, Canada and US9. US Public Television/Corporation for Public Broadcasting10. Early Cable and Satellite Television11. Theatrical Documentary12. New Subjects at the Turn of the Century13. Streaming14. Animation in DocumentaryConclusions and Future PossibilitiesDocumentary FilmmakersBiographyIndex
Recenzii
Clearly written, rich with well-researched, historical details, and contemporary critical insights, Betsy A. McLane's A New History of Documentary Film, 3rd ed., informs and analyzes (primarily) English language, nonfiction film, including recent works by women and non-white documentarians. Enhancing understanding and increasing enjoyment, McLane expands our knowledge, placing works within social and cultural, political and personal contexts, illuminating technical and aesthetic elements alike with well-chosen examples. This book is a joy to read with ample illustrations, text, and film recommendations and a useful index.
Documentary film is all around us. Cinema was born non-fictional but the history of film for too long did not devote to documentary the due attention. It was a global shortsightness, not restricted to the anglophile world. Fortunately those days are gone.Building from the groundbreaking work of Erik Barnouw and her own partnership with Jack S. Ellis for the first version of A New History of Documentary Film (2005), Betsy A. McLane regales us with a third, brand new edition, reviewing and updating a book that was already unique and prodigious when last appeared one decade ago. In a single volume here is the evolution of the documentary cinema, introducing the pioneer production of Robert Flaherty and Western European and Soviet documentarists and focusing especially on the USA, UK and Canada experiences, from its first steps to our 21st Century in all its diversity of voices and formats. Elegantly written and full of insights about an ever changing landscape, it is an essential guide for moviegoers, film students, filmmakers and any reader interested in a better understanding of one of the fundamental artistic expressions of an increasingly complex world.
Documentary film is all around us. Cinema was born non-fictional but the history of film for too long did not devote to documentary the due attention. It was a global shortsightness, not restricted to the anglophile world. Fortunately those days are gone.Building from the groundbreaking work of Erik Barnouw and her own partnership with Jack S. Ellis for the first version of A New History of Documentary Film (2005), Betsy A. McLane regales us with a third, brand new edition, reviewing and updating a book that was already unique and prodigious when last appeared one decade ago. In a single volume here is the evolution of the documentary cinema, introducing the pioneer production of Robert Flaherty and Western European and Soviet documentarists and focusing especially on the USA, UK and Canada experiences, from its first steps to our 21st Century in all its diversity of voices and formats. Elegantly written and full of insights about an ever changing landscape, it is an essential guide for moviegoers, film students, filmmakers and any reader interested in a better understanding of one of the fundamental artistic expressions of an increasingly complex world.