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A Preface to Shakespeare's Comedies: Preface Books

Autor Michael Mangan
en Limba Engleză Paperback – 26 ian 1996
This is an informative and interesting guide to the comedies of love - The Two Gentlemen of Verona, The Taming of the Shrew, Love's Labour's Lost, A Midsummer Nights Dream, Much Ado About Nothing, As You Like it and Twelfth Night - which were written in the early part of Shakespeare's career. As well as supplying dramatic and critical analysis, this study sets the plays within their wider social and artistic context.

Michael Mangan begins by considering the social function of laughter, the use of humour in drama for handling social tensions in Elizabethan and Jacobean society and the resulting expectations the audience would have had about comedy in the theatre. In the second section he discusses the individual plays in the light of recent critical and theoretical research. The useful reference section at the end gives the reader a short bibliographic guide to key historical figures relevant to a study of Shakespeare's comedies and a detailed critical bibliography.
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Specificații

ISBN-13: 9780582095908
ISBN-10: 0582095905
Pagini: 318
Dimensiuni: 138 x 216 x 19 mm
Greutate: 0.59 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Preface Books

Locul publicării:Oxford, United Kingdom

Cuprins

List of illustrations.  Prefaratory note and acknowledgements.  Prologue Shakespeare's England- an overview. 
Part One: Contexts of Comedy.  1 Laughter and Elizabethan Society.  2 Fools, clowns and jesters.  3 An audience for comedy.  4 Twentieth century readers of comedy.  Part Two: Critical Analysis.  5 Shakespeare's early comedies 1588-94.  6 A Midsummer Night's Dream c.1595.  7 Much Ado About Nothing 1598-9.  8 As You Like It c. 1599
9 Twelfth Night.  Part Three: Reference Section.  Short Biographies.  Further Reading.  Appendix: The Theatre of Shakespeare's London.  Index

Descriere

 There has been a recent renaissance in research on Shakespeare's comedies. This volume provides an excellent introduction to the latest literary criticism in an increasingly important area. The book is divided into three sections. The first examines the broad themes of comedy, setting the context to enable close examination of the three major Shakespearean comedies as well as the 'romances'. In part two each play is analysed with readings of key passages. The final part of the book provides factual information on the contemporary scene.