A Short History of Cahiers Du Cinema: On Torture and the Death of Justice
Autor Emilie Bickertonen Limba Engleză Paperback – 31 aug 2011
In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Preț: 132.76 lei
Nou
Puncte Express: 199
Preț estimativ în valută:
25.41€ • 26.65$ • 20.100£
25.41€ • 26.65$ • 20.100£
Carte disponibilă
Livrare economică 08-22 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781844677603
ISBN-10: 1844677605
Pagini: 156
Dimensiuni: 130 x 193 x 15 mm
Greutate: 0.2 kg
Editura: VERSO
ISBN-10: 1844677605
Pagini: 156
Dimensiuni: 130 x 193 x 15 mm
Greutate: 0.2 kg
Editura: VERSO
Notă biografică
Emilie Bickerton is a journalist and critic based in Paris. She is also on the editorial board of New Left Review.
Recenzii
“It was ‘the last modernist project’, Emilie Bickerton says in this deft account of the real life and virtual death of Cahiers du cinema. The cinema itself lived and died in its pages, and it would be hard to imagine a better brief guide to the magazine’s positions and polemics than this intelligent and sharply focused book.”—Michael Wood
“Valuable and highly informative.”—Philip French, The Observer
“The French New Wave directors all came from Cahiers du Cine?ma, a magazine that turned film criticism upside down in the 1950s. The salvos of its sagacity are finely charted by Bickerton, who also laments the recent slide into dumbed-down mediocrity.”—Nigel Andrews, Financial Times
“What I love is Bickerton’s certainty and courage ... Bickerton does a well-told, thoroughly researched job.”—Nick James, Sight & Sound
“Compelling ... a reminder that contemporary film criticism could do with being more unapologetically clever—more ingenious, more argumentative, more French.”—London Review of Books
“Has many of the ingredients of a good thriller ... Emilie Bickerton’s alert prose manages to convey the drama and passionate confrontation of ideas, and she shows a keen eye for revealing detail.”—Times Literary Supplement
“Emilie Bickerton has done a valuable and highly informative job.”—Philip French, Observer
“Tantalisingly concise ... A reminder that contemporary film criticism could do with being more unapologetically clever—more ingenious, more argumentative, more French.”—Jonathan Romney, London Review of Books
“Valuable and highly informative.”—Philip French, The Observer
“The French New Wave directors all came from Cahiers du Cine?ma, a magazine that turned film criticism upside down in the 1950s. The salvos of its sagacity are finely charted by Bickerton, who also laments the recent slide into dumbed-down mediocrity.”—Nigel Andrews, Financial Times
“What I love is Bickerton’s certainty and courage ... Bickerton does a well-told, thoroughly researched job.”—Nick James, Sight & Sound
“Compelling ... a reminder that contemporary film criticism could do with being more unapologetically clever—more ingenious, more argumentative, more French.”—London Review of Books
“Has many of the ingredients of a good thriller ... Emilie Bickerton’s alert prose manages to convey the drama and passionate confrontation of ideas, and she shows a keen eye for revealing detail.”—Times Literary Supplement
“Emilie Bickerton has done a valuable and highly informative job.”—Philip French, Observer
“Tantalisingly concise ... A reminder that contemporary film criticism could do with being more unapologetically clever—more ingenious, more argumentative, more French.”—Jonathan Romney, London Review of Books