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A Tidal Wave of Encouragement: American Composers' Concerts in the Gilded Age

Autor E. Douglas Bomberger
en Limba Engleză Hardback – 29 oct 2001 – vârsta până la 17 ani
In July of 1884, pianist Calixa Lavallée performed a recital of works by American composers that began a highly influential series of such concerts. Over the course of the next decade, hundreds of all-American concerts were performed in the United States and Europe, a movement that fostered both the development and the perception of American music as a unique art form. A Tidal Wave of Encouragement-the title of which is derived from one observer's description of the movement-is the first in-depth study of this significant period in American music. Providing a comprehensive history of the Concerts as well as detailed accounts of the intense critical debate surrounding them, author E. Douglas Bomberger reveals how one decade shaped the future of American classical music and very much impacted the way we hear it today.The movement, crucial in focusing discussion on American music and providing performance opportunities for composers and musicians for whom no such opportunities had before existed, was far more extensive and widespread than most scholarship had credited it. This oversight is due in large part to the dearth of objective studies of the Concerts; previous considerations have tended either toward the merely nostalgic or toward the unnecessarily disparaging. Bomberger's work is a corrective to this, as well as much-needed historical and critical account of a project whose influence had yet to be fully acknowledged.
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Specificații

ISBN-13: 9780275974466
ISBN-10: 0275974464
Pagini: 256
Dimensiuni: 156 x 235 x 21 mm
Greutate: 0.49 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States

Notă biografică

E. DOUGLAS BOMBERGER is an Associate Professor of Music at the University of Hawaii at Manoa. The author of many journal articles, he is the editor of Brainard's Biographies of American Musicians (Greenwood, 1999).

Cuprins

IntroductionPrelude: American Concerts before 1884The MTNA Concerts, 1884-1888: an idea whose time had comeHenry Krehbiel, criticFrank Van der Stucken's Novelty ConcertsThe Exposition Universelle of 1889: American Music on a world stageInterlude: Flood TideThe MTNA Concerts, 1889-1892: an idea whose time had pastThe Arens tour of 1891-1892: Propaganda, Parochialism, and All-American ConcertsEdward MacDowell, reluctant heroThe World's Columbian Exposition of 1893: American art and music humiliatedThe Manuscript Societies and the Ghettoization of New MusicPostlude: Dvorák and new directions in American art musicAppendix 1: Master List of American Composers' ConcertsAppendix 2: Programs and Reviews of the Van der Stuken Festival, November 1887Appendix 3: Programs and Reviews of American Composers' Concerts in EuropeAppendix 4: Repertoire Performed at Public Meetings of the Manuscript Society of New York, 1890-1901Bibliography