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Adaptation in Young Adult Novels: Critically Engaging Past and Present

Editat de Dr. Dana E. Lawrence, Dr. Amy L. Montz
en Limba Engleză Paperback – 23 mar 2022
Adaptation in Young Adult Novels argues that adapting classic and canonical literature and historical places engages young adult readers with their cultural past and encourages them to see how that past can be rewritten. The textual afterlives of classic texts raise questions for new readers: What can be changed? What benefits from change? How can you, too, be agents of change?The contributors to this volume draw on a wide range of contemporary novels - from Rick Riordan's Percy Jackson series and Megan Shepherd's Madman's Daughter trilogy to Jesmyn Ward's Salvage the Bones - adapted from mythology, fairy tales, historical places, and the literary classics of Shakespeare, Charles Dickens, Jane Austen, and F. Scott Fitzgerald, among others. Unpacking the new perspectives and critiques of gender, sexuality, and the cultural values of adolescents inherent to each adaptation, the essays in this volume make the case that literary adaptations are just as valuable as original works and demonstrate how the texts studied empower young readers to become more culturally, historically, and socially aware through the lens of literary diversity.
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Specificații

ISBN-13: 9781501371950
ISBN-10: 1501371959
Pagini: 254
Dimensiuni: 152 x 229 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

Argues for the usefulness of adaptation in young adult education, specifically for developing cultural and historical awareness

Notă biografică

Dana E. Lawrence is Associate Professor of English at the University of South Carolina Lancaster, USA.Amy L. Montz is Associate Professor of English at the University of Southern Indiana, USA. She is co-editor of Female Rebellion in Young Adult Dystopian Fiction (2014).

Cuprins

Acknowledgments"Both Flesh and Monument": The Immortal Life of Literature through AdaptationDana E. Lawrence (University of South Carolina Lancaster, USA) and Amy L. Montz (University of Southern Indiana, USA)Part One Representation Matters1. Re-visioning Rosaline; or, Romeo and Juliet Are DeadFiona Hartley-Kroeger (University of Illinois Urbana Champaign, USA)2. Inhabiting the House of Edith Wharton's Fiction: Rewriting the Captive Woman in Deborah Noyes's The Ghosts of Kerfol Indu Ohri (University of Virginia, USA)3. Rewriting The Great Gatsby: Questioning Identity and Morality in Sara Benincasa's GreatLisa M. Valenzuela (University of the Incarnate Word, USA)4. LGBTQIA Fairy Tales: Queering Cinderella in Lo's Ash and Donoghue's "The Tale of the Shoe"Dalila Forni (University of Florence, Italy)5. "Wherever the Flame Was Brightest": Identity and Assimilation in Rick Riordan's Greek Mythological Adaptations for Young AdultsSaffyre Falkenberg (Texas Christian University, USA)Part Two Literature and Popular Culture6. Jane Eyre in Space: Adapting Brontë's Novel for Young Adult Fans of Sci-Fi and FantasyTara Moore (Elizabethtown College, USA)7. Megan Shepherd's The Madwoman Trilogy and the Female Voice: The Twenty-First-Century Young Adult Adaptation of Frankenstein and the Frankenstein FranchiseMelanie A. Marotta (Morgan State University, USA)8. Austen, Wollstonecraft, and Zombies: Female Autonomy in Jane Austen's Popular CanonEileen Totter (University of North Georgia, USA)9. A Twist in Time or a Break in Narrative: Adapting the Disney Classic Canon for a Young Adult AudienceMichelle Anya Anjirbag and Madeleine Hunter (Cambridge University, UK)Part Three Making the Past Present10. Rewriting Nineteenth-Century New York City for the Modern TeenAmy L. Montz (University of Southern Indiana, USA)11. Find Our Past Voice: Reimagining the Nineteenth-Century Feminist in Young Adult LiteratureBrett Carol Young (Valdosta State University, USA)12. A Tale of Two Women: Representing Femininity in Charles Dickens's A Tale of Two Cities and Sarah Rees Brennan's Tell the Wind and FireMaya Zakrzewska-Pim (Cambridge University, UK)13. "In fair Verona, where we lay our scene": Adaptation, Literary Tourism, and Locating JulietDana E. Lawrence (University of South Carolina Lancaster, USA)14. From Ancient to Modern Myth: Storytelling in Jesmyn Ward's Salvage the BonesMadeleine Tulip (Warwick University, UK)Notes on ContributorsIndex

Recenzii

Adaptation in Young Adult Novels offers valuable insights into the capacity of young adult adaptations to critically engage the past and present. It contributes a great deal to understandings of how and why canonical texts are adapted for a specifically young adult audience, and it is a valuable resource for furthering conversations about adaptation, adolescence, and responsible engagement with a problematic canon.
Adaptation in Young Adult Novels brings together for discussion an impressive range of recent texts inspired by classic works, demonstrating the literary canon's ongoing vitality and mapping areas--including gender roles, identity formation, and our relationship to social and geographical place--in which today's writers for young readers respond to and rewrite the past.
Self-conscious about their own value, encouraging readers to find their own voices in the echo chamber of established classics: adaptations are more than guides to the original. Gauging the scope of this emancipatory cultural work, these essays combine state-of-the-art adaptation studies with perceptive analyses of texts, places, and franchises for young adults.
Dana E. Lawrence and Amy L. Montz have gathered together an exhilarating group of essays destined to become essential reading for scholars of young adult literature, literary history, and popular culture. YA adaptations of classic works emerge not only as a lively exploration of the past, but also as powerful challenges to the injustices and exclusions of that past. Young adult literature is revealed as a space of change for young readers who insist on a more inclusive and diverse world, and whose developing literacies inspire them as agents of change and creators in their own right.