Advances in Experimental Philosophy of Aesthetics: Advances in Experimental Philosophy
Editat de Florian Cova, Sébastien Réhaulten Limba Engleză Paperback – 27 mai 2020
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Specificații
ISBN-13: 9781350163843
ISBN-10: 1350163848
Pagini: 344
Dimensiuni: 156 x 234 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Advances in Experimental Philosophy
Locul publicării:London, United Kingdom
ISBN-10: 1350163848
Pagini: 344
Dimensiuni: 156 x 234 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Advances in Experimental Philosophy
Locul publicării:London, United Kingdom
Caracteristici
Provides original ideas for interdisciplinary collaborations between aestheticians and psychologists, neuroscientists and linguists
Notă biografică
Florian Cova is a Postdoctoral Researcher in the Swiss Centre for Affective Sciences at the University of Geneva, Switzerland.Sébastien Réhault is Associate member of the Archives Poincaré - Philosophy and Research in Sciences and Technology, CNRS / Université de Lorraine, France.
Cuprins
Notes on ContributorsIntroduction (Florian Cova, University of Geneva, Switzerland, and Sébastien Réhault, University of Lorraine, France)AcknowledgementsPart I: Investigating the Nature of Aesthetic Judgment1. Beyond Intersubjective Validity: Recent Empirical Investigations into the Nature of Aesthetic Judgement (Florian Cova, University of Geneva, Switzerland)2. Aesthetic Testimony and Experimental Philosophy (James Andow, University of Reading, UK)3. Impure Aesthetics (Jesse Prinz & Angelika Seidel, City University of New York, USA)Part II: The Ontology of Art4. Why is that Art? (Richard Kamber & Taylor Enoch, The College of New Jersey, USA) 5. Artworks as Extensions of their Creator (George Newman & Rosanna Smith, Yale University, USA)Part III: Engaging with Art: Imagination and Emotions6. Being Quasi-moved: A View from the Lab (Jérôme Pelletier, Université de Brest, France)7. The Content-dependence of Imaginative Resistance (Hanna Kim, Markus Kneer, Michael T. Stuart)8. Aphantasia and the Decay of Mental Images (Steve Humbert-Droz, University of Fribourg, Switzerland)9. The Beautiful, the Sublime, and the Self (Margherita Arcangeli, University of Geneva, Switzerland, and Marco Sperduti, Ecole Normale Supérieure, France, and Jérôme Dokic, EHESS, France)Part IV: Aesthetics and Philosophy of Language10. Lost in Musical Translation: A cross-cultural study of musical grammar and its relation to affective expression in two musical idioms between Chennai and Geneva (Constant Bonard, University of Geneva, Switzerland)11. An Empirical Approach to Aesthetic Predicates (Isidora Stojanovic, Institut Jean Nicod, CNRS, France)12. The Continuity between Art and Everyday Communication (Alessandro Pignocchi, Ecole Normale Supérieure, France)Part V: Metaphilosophy13. Beauty and the Agreeable: A Critique of Experimental Aesthetics (Nick Zangwill, University of Hull, UK)14. Are Aestheticians' Intuitions Sitting Pretty? (Jonathan Weinberg, University of Arizona, USA)15. Experimental Philosophy of Aesthetics as Public Philosophy (Shen-Yi Liao, University of Puget Sound, USA and Aaron Meskin, University of Leeds, UK)Index
Recenzii
Experimental aesthetics is the new frontier of experimental philosophy, and Cova and Rehault's fascinating volume is a watershed moment in its growth. For the first time, psychologists, philosophers, and linguists come together to examine aesthetic judgment, the nature of artworks, or the role of emotions in art. Aesthetics will never be the same, and this interdisciplinary volume will be a template for future work about art.
Wittgenstein thought that psychology could contribute little to aesthetics. This extraordinary volume makes it clear that Wittgenstein was wrong! The experimental philosophy of aesthetics is barely a decade old. These exciting and provocative papers leave little doubt that it has already come of age.
Wittgenstein thought that psychology could contribute little to aesthetics. This extraordinary volume makes it clear that Wittgenstein was wrong! The experimental philosophy of aesthetics is barely a decade old. These exciting and provocative papers leave little doubt that it has already come of age.