Advocates of Freedom: African American Transatlantic Abolitionism in the British Isles: Slaveries since Emancipation
Autor Hannah-Rose Murrayen Limba Engleză Paperback – 21 iun 2023
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Specificații
ISBN-13: 9781108720410
ISBN-10: 1108720412
Pagini: 387
Dimensiuni: 230 x 152 x 27 mm
Greutate: 0.57 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Slaveries since Emancipation
Locul publicării:New York, United States
ISBN-10: 1108720412
Pagini: 387
Dimensiuni: 230 x 152 x 27 mm
Greutate: 0.57 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Slaveries since Emancipation
Locul publicării:New York, United States
Cuprins
Introduction: 'To Tell The Truth': African American activism in the British Isles 1835–1895; 1. 'It Is Time For The Slaves to Speak': Moses Roper, white networks and 'Lying Inventions' 1835–1855; 2. 'All the Bloody Paraphernalia of Slavery': Frederick Douglass' performative strategies on the Victorian stage; 3. '[They Have] Not Ceased to Hold My Hand Since': Frederick Douglass, print culture and abolitionist networks; 4. To 'Frighten The Hyena Out Of His Ferocity': black activism in Britain 1850–1860; 5. 'I Would Much Rather Starve In England, A Free Woman, Than Be A Slave': black women and adaptive resistance 1850–1865; 6. 'Have No Fellowship I Pray You, With These Merciless Menstealers': black activism, the Confederacy and scientific racism during the Civil War 1861–1865; 7. 'My Name is Not Tom': Josiah Henson, Uncle Tom's Cabin, and adaptive resistance after the Civil War 1876–1877; 8. 'The Black People's Side Of The Story': Ida B. Wells and the anti-lynching crusade in Britain 1893–1894; 9. 'To Tell the Story of the Slave': the legacy of African American transatlantic resistance.
Recenzii
'Hannah-Rose Murray's accomplished study is a tour-de-force of scholarly research that challenges our understanding of transatlantic African American abolitionists by presenting original insights about their impact on British audiences and evolving print and performance cultures.' Barbara McCaskill, Professor of English and author of Love, Liberation and Escaping Slavery: William and Ellen Craft in Cultural Memory
'Advocates of Freedom is a thoroughly researched, clearly written, interdisciplinary study of transatlantic African American abolitionists. Based on a mind-bogglingly extensive mapping project that showcases new and radical speech-making and performances, it will profoundly alter our perceptions of nineteenth century Black Atlantic culture and history.' Alan Rice, Professor in English and American Studies, University of Central Lancashire, Preston
'Murray's work maps the abolitionist and anti-lynching activism of African American men and women in Britain within those cartographies of freedom made possible by their self-emancipatory work. She identifies performance and print culture as vehicles of resistance in the struggle against slavery and the violent racism that both accompanied it and its legacy.' Fionnghuala Sweeney, University of Newcastle
'… a marvelous recovery of the panoply of events, networks, strategies, performances, and tropes that abolitionists employed to convince and capture audiences abroad. In a wealth of detail drawn from local newspapers, Murray examines and deconstructs the 'performative strategies' of a variety of Black abolitionists - performances, she notes, that were created and managed out of the experience of slavery engaging with the expectations and preconceptions of white European audiences.' J. A. Jaffe, CHOICE
'Advocates of Freedom is a thoroughly researched, clearly written, interdisciplinary study of transatlantic African American abolitionists. Based on a mind-bogglingly extensive mapping project that showcases new and radical speech-making and performances, it will profoundly alter our perceptions of nineteenth century Black Atlantic culture and history.' Alan Rice, Professor in English and American Studies, University of Central Lancashire, Preston
'Murray's work maps the abolitionist and anti-lynching activism of African American men and women in Britain within those cartographies of freedom made possible by their self-emancipatory work. She identifies performance and print culture as vehicles of resistance in the struggle against slavery and the violent racism that both accompanied it and its legacy.' Fionnghuala Sweeney, University of Newcastle
'… a marvelous recovery of the panoply of events, networks, strategies, performances, and tropes that abolitionists employed to convince and capture audiences abroad. In a wealth of detail drawn from local newspapers, Murray examines and deconstructs the 'performative strategies' of a variety of Black abolitionists - performances, she notes, that were created and managed out of the experience of slavery engaging with the expectations and preconceptions of white European audiences.' J. A. Jaffe, CHOICE
Notă biografică
Descriere
A transatlantic study focusing on African American resistance through unexplored oratorical and performative testimony in the British Isles.