Aesthetic Constructions of Korean Nationalism: Spectacle, Politics and History: Asia's Transformations
Autor Hong Kalen Limba Engleză Paperback – 7 mai 2013
The book will be of interest to students and scholars of Korean Studies, Culture and Heritage Studies and Asian Studies.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 483.49 lei 6-8 săpt. | |
Taylor & Francis – 7 mai 2013 | 483.49 lei 6-8 săpt. | |
Hardback (1) | 1056.35 lei 6-8 săpt. | |
Taylor & Francis – 10 mai 2011 | 1056.35 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780415857529
ISBN-10: 041585752X
Pagini: 184
Ilustrații: 46 b/w images and 46 halftones
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.32 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Asia's Transformations
Locul publicării:Oxford, United Kingdom
ISBN-10: 041585752X
Pagini: 184
Ilustrații: 46 b/w images and 46 halftones
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.32 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Asia's Transformations
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Introduction Part I: Modernity, Colonial Expositions and the City Chapter 1: Nationalism and the Politics of Visual Comparison: The 1915 Korean Industrial Exposition Chapter 2: Modeling the West, Returning to Asia: The 1929 Korean Exposition Chapter 3: Seoul in Motion: Urban Form and Political Consciousness Part II: Korean Nationalism and Postcolonial Exhibitions Chapter 4: The Temple of Ethnic Nationalism: War Memorial Museums in Korea and Japan Chapter 5: Ancestors, the Avant-garde and the Making of "Culture" in Postcolonial Korea Chapter 6: Flowing Back to the Future: the Cheonggye Stream Restoration
Descriere
Aesthetic Constructions of Korean Nationalism chooses expositions, museums and the urban built environment at particular moments in both colonial and postcolonial eras and analyses their discursive relations in the construction of Korean nationalism. By linking concepts of visual spectacle, space and governmentality, this book explores how visual spectacles and spaces made the nation imaginable to the public in both the past and the present; how they represented a new modality of seeing for the state and contributed to the shaping of collective identities in colonial and postcolonial Korea; and how their different modes were associated with the change in governmentality in Korea. In addressing these questions, the book interprets the politics behind the culture of displays and shows both the continuity and the transformation of spectacles as a governing technology in twentieth-century Korea.