Aesthetics and Nature: The Appreciation of Natural Beauty and the Environment: Bloomsbury Aesthetics
Autor Dr Glenn Parsonsen Limba Engleză Paperback – 29 noi 2023
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Specificații
ISBN-13: 9781350121591
ISBN-10: 1350121592
Pagini: 400
Ilustrații: 15 bw images
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.5 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Aesthetics
Locul publicării:London, United Kingdom
ISBN-10: 1350121592
Pagini: 400
Ilustrații: 15 bw images
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.5 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Aesthetics
Locul publicării:London, United Kingdom
Caracteristici
Includes a new chapter on the sublime together with additional coverage of the aesthetic appreciation of animals, cinema and photography
Notă biografică
Glenn Parsons is Professor of Philosophy at Toronto Metropolitan University, Canada.
Cuprins
AcknowledgementsIntroduction: Aesthetics and Nature from an Analytic Perspective1. The Conceptual Background: Nature 1.1 The end of Nature?1.2 Is Nature a Useful concept?1.3 Some Alternatives: Wilderness, Landscape, Environment 2. The Conceptual Background: Beauty and Aesthetic Value 2.1 Beauty2.2 The Sublime, the Picturesque and the Aesthetic2.3 Two Questions About Aesthetic Value2.4 Two Accounts of Aesthetic Value 3. Imagination, Belief and Aesthetic Judgement 3.1 From Ethics to Ice Cream3.2 Thought Contents3.3 Anything goes? A Relativist Approach3.4 Objections to the Relativist Approach 4. Formalism 4.1 Traditional Formalism4.2 Strengths of Formalism4.3 Quantification and Formalism in Empirical Landscape Assessment 4.4 Objections to Traditional Formalism 4.5 Zangwill's Formalism 5. Science and the Aesthetics of Nature5.1 Science and the nature critic5.2 Another Turn in the Taste for Landscape? Positive Aesthetics5.3 Objections to the science-based approach5.4 The Fusion Problem 6. Pluralism 6.1 A Modest Pluralism6.2 Robust Pluralism6.3 Problems for Robust Pluralism (two arguments redux)6.4 Modest Pluralism Again 7. Nature and the Aesthetics of Engagement 7.1 The Challenge to Disinterestedness7.2 An Engaged Aesthetics of Nature7.3 Problems for Berleant's Engaged Aesthetic7.4 Engagement, Unity, and the Aesthetic 8. Animals 8.1 Appreciating Animals8.2 Normative Questions8.3 Are there ugly species? 9. Aesthetic Issues in Environmental Protection, Restoration and Rewilding 9.1 Aesthetic Protection in Theory and Practice9.2 Two Issues for Aesthetic Protection 9.3 Aesthetic Protection, Ethics, and the Problem of Taste 9.4 Biodiversity and the Politics of Aesthetic Protection 9.5 Aesthetic Remediation, Restoration and Rewilding 10. The Sublime, the Picturesque, and the Beautiful 10.1 Rise and Fall of the Sublime10.2 Contemporary Theories of the Sublime10.3 Reappraising the Picturesque10.4 Beauty, Taste and Love of Place 11. Nature in the Garden 11.1 The Garden as Nature11.2 The Garden as Art11.3 Is Nature Essential to the Garden?11.4 Appreciating Gardens: Interaction, Achievement, Atmosphere 12. Art In Nature 12.1 The Ethics of Environmental Art: Four Questions 12.2 Is Environmental Art an Aesthetic Affront to Nature?12.3 Is the Effrontery Charge Justified?12.4 Is the Effrontery Charge Coherent? 13. Nature Through Art: Mediated Appreciation 13.1 Mediated Appreciation13.2 Two Problems for Mediated Appreciation13.3 Beyond Accuracy: Generative Mediation 14. Epilogue: Aesthetics in the Anthropocene? Philosophical and Empirical Challenges BibliographyIndex
Recenzii
Weaving together ideas from an impressively wide range of authors, this volume will be of remarkable value to newcomers and experts alike, across the Environmental Humanities. Glenn Parsons' writing is exceptionally clear and accessible, all while being precise and faithful to original sources. If there were only one book I could suggest on the topic, it would be this one.
This text fills a critical omission in the discussion of aesthetics and nature. Parsons captures aesthetic approaches to nature and does so through an exhaustive list of genres such as painting, sculpture, film, literature and more. All the big names in the field are represented as well as movements and schools. The text is essential for scholars in the burgeoning field of literature and the environment, and groups such as the Association for Studies in Literature and the Environment.
This text fills a critical omission in the discussion of aesthetics and nature. Parsons captures aesthetic approaches to nature and does so through an exhaustive list of genres such as painting, sculpture, film, literature and more. All the big names in the field are represented as well as movements and schools. The text is essential for scholars in the burgeoning field of literature and the environment, and groups such as the Association for Studies in Literature and the Environment.