Aesthetics and the Revolutionary City: Real and Imagined Havana: Studies of the Americas
Autor James Clifford Kenten Limba Engleză Hardback – 4 oct 2018
Aesthetics and the Revolutionary City engages in alternative ways of reading foreign visual representations of Havana through analysis of advertising images, documentary films, and photographic texts. It explores key narratives relating to the projection of different Havana imaginaries and focuses on a range of themes including: pre-revolutionary Cuba; the dream of revolution; and the metaphor of the city “frozen-in-time.” The book also synthesizes contemporary debates regarding the notion of Havana as a real and imagined city space and fleshes out its theoretical insights with a series of stand-alone, important case studies linked to the representation of the Cuban capital in the Western imaginary. The interpretations in the book bring into focus a range of critical historical moments in Cuban history (including the Cuban Revolution and the “Special Period”) and consider the ways in which they have been projected in advertising, documentary film and photography outside the island.
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 453.13 lei 43-57 zile | |
Springer International Publishing – 8 feb 2019 | 453.13 lei 43-57 zile | |
Hardback (1) | 461.88 lei 43-57 zile | |
Springer International Publishing – 4 oct 2018 | 461.88 lei 43-57 zile |
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Specificații
ISBN-13: 9783319640297
ISBN-10: 3319640291
Pagini: 231
Ilustrații: XI, 226 p. 7 illus., 3 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.54 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Studies of the Americas
Locul publicării:Cham, Switzerland
ISBN-10: 3319640291
Pagini: 231
Ilustrații: XI, 226 p. 7 illus., 3 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.54 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Studies of the Americas
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction: Real and Imagined Havana.- 2. Mapping the City: Walker Evans in Havana.- 3. Burt Glinn, Magnum Photos and the Cuban Revolution.- 4. David Bailey’s Havana and the “Post-Special Period” Photobook.- 5. Advertising the City: “Nothing Compares to Havana”.- 6. Buena Vista Social Club’s Afterimage.- 7. The Music Film and the City: Our Manics in Havana.
Notă biografică
James Clifford Kent is Lecturer in Hispanic Studies at Royal Holloway, University of London, UK.
Textul de pe ultima copertă
Aesthetics and the Revolutionary City engages in alternative ways of reading foreign visual representations of Havana through analysis of advertising images, documentary films, and photographic texts. It explores key narratives relating to the projection of different Havana imaginaries and focuses on a range of themes including: pre-revolutionary Cuba; the dream of revolution; and the metaphor of the city “frozen-in-time.” The book also synthesizes contemporary debates regarding the notion of Havana as a real and imagined city space and fleshes out its theoretical insights with a series of stand-alone, important case studies linked to the representation of the Cuban capital in the Western imaginary. The interpretations in the book bring into focus a range of critical historical moments in Cuban history (including the Cuban Revolution and the “Special Period”) and consider the ways in which they have been projected in advertising, documentary film and photography outside the island.
James Clifford Kent is Lecturer in Hispanic Studies at Royal Holloway, University of London, UK.
James Clifford Kent is Lecturer in Hispanic Studies at Royal Holloway, University of London, UK.
Caracteristici
Examines the global politics of representation of Havana through visual culture Challenges existing representations of various recognizable spaces of Havana and interrogates the diverse forces which have shaped them in the global imaginary Provides original case studies in the form of textual analyses that develop key theoretical debates surrounding the city and the imaginary