Aesthetics of Music: Musicological Perspectives
Editat de Stephen Downesen Limba Engleză Paperback – 3 aug 2016
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Specificații
ISBN-13: 9781138213388
ISBN-10: 1138213381
Pagini: 324
Ilustrații: 47
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.55 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138213381
Pagini: 324
Ilustrații: 47
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.55 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
1. Introduction Stephen Downes 2. Values and Judgments James Garratt 3. Absolute Music Thomas Grey 4. Program Music James Hepokoski 5. Beautiful and Sublime Stephen Downes 6. Dialectics and Musical Analysis Julian Horton 7. Classicism/Neoclassicism Keith Chapin 8. Romanticism/Anti-romanticism Sanna Pederson 9. Jazz – Avant-garde – Tradition Kenneth Gloag 10. Narrative Nicholas Reyland 11. Music and the Moving Image Jeremy Barham 12. Irony Julian Johnson 13. Propaganda Jim Samson 14. Virtuosity and the virtuoso James Deaville
Notă biografică
Stephen Downes is Professor of Music at Royal Holloway, University of London.
Recenzii
"The collection is welcome particularly for the variety of the subjects it includes and the depth of the treatments. The preface and introduction provide an organized entry into the essays: the editor explains the motives behind his editing of the collection and provides synopses of the 14 essays that follow...This volume is suitable for those researching musical aesthetics or philosophy. Summing Up: Recommended." --J. E. Wickell, Western Washington University, CHOICE
Descriere
This anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, serves as an authoritative work on musical aesthetics that addresses both central as well as somewhat neglected topics and issues in the field. Each essay covers historical origins, sources, and developments of the chosen idea, surveys important musicological approaches, and offers new critical angles or musical case studies in interpretation, supported by a wealth of musical examples from works in the 18th, 19th, and into the 20th century.