Agnes Pelton: Great Masters in Art
Autor Gilbert Vicarioen Limba Engleză Hardback – 2 feb 2023
The spiritually inspired pictures of Agnes Pelton (1881–1961) have their roots in the desert of California, a place where she settled in 1932 and lived until her death. Pelton wrote of her highly symbolic paintings that her pictures were “like little windows,” which opened up a view into the interior, her “message of light to the world”. In the 1920s Pelton started to explore abstract painting because this offered her the possibility of translating esoteric topics into pictures. Like her fellow artist Georgia O’Keeffe, Pelton deliberately turned her back on the art scene of the East Coast. She was celebrated for her abstract compositions: “It is simply an oasis of beauty for the eye”, was how American Art News eulogized her work. After her death, Pelton’s work disappeared from the public focus for a long time, but in recent years she’s begun to be valued as a crucial American modernist.
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Specificații
ISBN-13: 9783777439297
ISBN-10: 3777439290
Pagini: 72
Ilustrații: 55 color plates
Dimensiuni: 144 x 210 x 10 mm
Greutate: 0.26 kg
Editura: Hirmer Publishers
Colecția Hirmer Publishers
Seria Great Masters in Art
ISBN-10: 3777439290
Pagini: 72
Ilustrații: 55 color plates
Dimensiuni: 144 x 210 x 10 mm
Greutate: 0.26 kg
Editura: Hirmer Publishers
Colecția Hirmer Publishers
Seria Great Masters in Art
Notă biografică
Gilbert Vicario is the Selig Family Chief Curator at the Phoenix Art Museum. His past books include Ragnar Kjartansson: Scandinavian Pain and Other Myths and Hot Mess Formalism.
Recenzii
"The exhibition catalogue Agnes Pelton: Desert Transcendentalist offers an in-depth look at an artist whose work does not easily resolve into familiar categories of abstract art because of its deeply spiritual purpose. This book brings together a range of scholarly perspectives on aspects of Agnes Pelton’s (1881–1961) abstractions, delving into her biography, and carving out a place for her in the history of American modernism without downplaying her engagement with esoteric religions and devotional painting practices."