Akram Khan: Dancing New Interculturalism: New World Choreographies
Autor Royona Mitraen Limba Engleză Paperback – 28 mai 2015
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Specificații
ISBN-13: 9781349483631
ISBN-10: 134948363X
Pagini: 197
Ilustrații: XXVI, 197 p.
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.26 kg
Ediția:1st ed. 2015
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Seria New World Choreographies
Locul publicării:London, United Kingdom
ISBN-10: 134948363X
Pagini: 197
Ilustrații: XXVI, 197 p.
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.26 kg
Ediția:1st ed. 2015
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Seria New World Choreographies
Locul publicării:London, United Kingdom
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Cuprins
Contents Preface List of Images Acknowledgements Introduction 1. Khan's Body-Of-Action 2. Corporeal Gestures in Gnosis (2010) 3. Auto-ethnography and Loose in Flight (1999) 4. 'Third Space' Politics in Zero Degrees (2005) and Desh (2011) 5. Mobility and Flexibility in Bahok (2008) 6. Queering Normativity in iTMOi (2013) Conclusion Notes References Appendix: List of Performances
Recenzii
“This book offers a much-needed intervention in the growing field of contemporary British dance and theatre studies, and is an excellent resource for students, scholars, and practitioners alike – a rich and nuanced choreographic analysis that not only provides readers with an accessible entry point into Khan’s body of work but also lays important groundwork for further study of the social, political, economic, and racial context in which British Asian artists like Khan have emerged.” (Francisco Costa, New Theatre Quarterly, July, 2016)
“With its accessible writing style, its vivid description of dance works, and its clear structure, this book promises to be useful and of interest to readers at various phases of their inquiry into dance and theatre studies: undergraduate and postgraduate students as well as scholars. Its interdisciplinary approach suggests its usefulness to researchers in theatre and cultural studies as well as in dance.” (Janet O’Shea, Theatre, Dance and Performance Training, Vol. 7 (1), May, 2016)
“With its accessible writing style, its vivid description of dance works, and its clear structure, this book promises to be useful and of interest to readers at various phases of their inquiry into dance and theatre studies: undergraduate and postgraduate students as well as scholars. Its interdisciplinary approach suggests its usefulness to researchers in theatre and cultural studies as well as in dance.” (Janet O’Shea, Theatre, Dance and Performance Training, Vol. 7 (1), May, 2016)
Notă biografică
Dr Royona Mitra is a Lecturer in Theatre at Brunel University London, UK where she teaches physical theatre, intercultural performance and critical theory. Her research addresses intersectionalities between bodies, cultures and identities. She has published in Dance Research Journal, Feminist Review and Women & Performance and contributed to volumes on dance and culture.
Caracteristici
Winner of the DSA de la Torre Bueno First Book Award 2017 Runner-up for the TaPRA New Career Research in Theatre/Performance Prize 2016