All the Roads Are Open: The Afghan Journey: The Seagull Library of German Literature
Autor Annemarie Schwarzenbach Traducere de Isabel Fargo Coleen Limba Engleză Paperback – 10 mai 2021
In June 1939 Annemarie Schwarzenbach and fellow writer Ella Maillart set out from Geneva in a Ford, heading for Afghanistan. The first women to travel Afghanistan’s Northern Road, they fled the storm brewing in Europe to seek a place untouched by what they considered to be Western neuroses.
The Afghan journey documented in All the Roads Are Open is one of the most important episodes of Schwarzenbach’s turbulent life. Her incisive, lyrical essays offer a unique glimpse of an Afghanistan already touched by the “fateful laws known as progress,” a remote yet “sensitive nerve centre of world politics” caught amid great powers in upheaval. In her writings, Schwarzenbach conjures up the desolate beauty of landscapes both internal and external, reflecting on the longings and loneliness of travel as well as its grace.
Maillart’s account of their trip, The Cruel Way, stands as a classic of travel literature, and, now available for the first time in English, Schwarzenbach’s memoir rounds out the story of the adventure.
Praise for the German Edition
“Above all, [Schwarzenbach’s] discovery of the Orient was a personal one. But the author never loses sight of the historical and social context. . . . She shows no trace of colonialist arrogance. In fact, the pieces also reflect the experience of crisis, the loss of confidence which, in that decade, seized the long-arrogant culture of the West.”—Süddeutsche Zeitung
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Specificații
ISBN-13: 9780857428226
ISBN-10: 0857428225
Pagini: 124
Dimensiuni: 127 x 203 x 13 mm
Greutate: 0.18 kg
Editura: Seagull Books
Colecția Seagull Books
Seria The Seagull Library of German Literature
ISBN-10: 0857428225
Pagini: 124
Dimensiuni: 127 x 203 x 13 mm
Greutate: 0.18 kg
Editura: Seagull Books
Colecția Seagull Books
Seria The Seagull Library of German Literature
Notă biografică
Annemarie Schwarzenbach (1908–42) was a writer, journalist, and photographer who worked periodically as an archaeologist. She is the author of the poem Aus Tétouan, Der Krater der Tiere, Das Wunder des Baumes. Isabel Fargo Cole is a US-born, Berlin-based writer and translator.
Cuprins
Introduction
A Note on the Text and Translation
Part One: Mount Ararat
Balkan Borders
Therapia
Trebizond: Farewell to the Sea
Mount Ararat
Part Two: The Steppe
The Steppe
The Prisoners
No Man's Land: Between Persia and Afghanistan
Part Three: The Women of Kabul
Herat, 1 August 1939...
The Hind Kush Three Times
In the Garden of the Beautiful Girls of Qaisar
The Women of Kabul
Part Four: The Bank of the Oxus
The Neighbouring Village
The Bank of the Oxus
The Potters of Istalif
The Grip to Ghazni
Part Five: Two Women Alone in Afghanistan
Two Women Alone in Afghanistan
Chehel Sotun
Part Six: Onward to Peshawar...
Onward to Peshawar...
Aden, a Morning Vision
The Trip Down the Suez Canal
Text Sources
Afterword: 'My existence in the exile of distant adventure'
Roger Perret
A Note on the Text and Translation
Part One: Mount Ararat
Balkan Borders
Therapia
Trebizond: Farewell to the Sea
Mount Ararat
Part Two: The Steppe
The Steppe
The Prisoners
No Man's Land: Between Persia and Afghanistan
Part Three: The Women of Kabul
Herat, 1 August 1939...
The Hind Kush Three Times
In the Garden of the Beautiful Girls of Qaisar
The Women of Kabul
Part Four: The Bank of the Oxus
The Neighbouring Village
The Bank of the Oxus
The Potters of Istalif
The Grip to Ghazni
Part Five: Two Women Alone in Afghanistan
Two Women Alone in Afghanistan
Chehel Sotun
Part Six: Onward to Peshawar...
Onward to Peshawar...
Aden, a Morning Vision
The Trip Down the Suez Canal
Text Sources
Afterword: 'My existence in the exile of distant adventure'
Roger Perret
Recenzii
“Above all, [Schwarzenbach’s] discovery of the Orient was a personal one. But the author never loses sight of the historical and social context. . . . She shows no trace of colonialist arrogance. In fact, the pieces also reflect the experience of crisis, the loss of confidence which, in that decade, seized the long-arrogant culture of the West.”
"Through lyrical prose and a keen sense of wonder, the long road to Afghanistan is never tedious. Complete with picturesque descriptions of passing mountains, fields, valleys, deserts and their enigmatic denizens, All the Roads Are Open still enchants more than 70 years after its conception."
"All the Roads Are Open . . . collects the wonderful newspaper articles Schwarzenbach wrote during the journey. 'With our Afghan friends we felt as safe as in Abraham’s bosom,' she declares, although the cover photo of her—trousered, lanky, David Bowie with an Elroy Jetson haircut—will inspire readers today to wonder what all she might have left out."
"Schwarzenbach’s book, while fragmented, showcases the specificity and talent of her writing. [. . .] The book offers a memorable account of discovery and self-exploration at a time when Nazism came knocking at Europe’s doors. Schwarzenbach’s fragile notes reject yesterday’s racism and intolerance, and instead offer an ode to individual freedom."
“Few of Schwarzenbach’s own writings have been translated into English, and even fewer are available in print. Finally, we have the opportunity to read her: Seagull Books have reissued two recent and excellent translations of Schwarzenbach’s literary travel writing. Death in Persia was only published in German in 1998, long after Schwarzenbach’s death, and first published in English translation by Lucy Renner Jones in 2012. All the Roads Are Open, translated by Isabel Fargo Cole, was first published as a full English collection in 2011. Together, they map Schwarzenbach’s dual struggle to overcome her own inner conflicts and, somehow, to resist the fascism that overran Europe as she made her way to Afghanistan in 1939.”