December: 39 Stories, 39 Pictures: The Seagull Library of German Literature
Autor Alexander Kluge, Gerhard Richter Traducere de Martin Chalmersen Limba Engleză Paperback – 10 mai 2021
In stories drawn from modern history and the contemporary moment, from mythology, and even from meteorology, Kluge toys as readily with time and space as he does with his characters. In the narrative entry for December 1931, Adolf Hitler avoids a car crash by inches. In another, we relive Greek financial crises. There are stories where time accelerates, and others in which it seems to slow to the pace of falling snow. In Kluge’s work, power seems only to erode and decay, never grow, and circumstances always seem to elude human control. When a German commander outside Moscow in December of 1941 remarks, “We don’t need weapons to fight the Russians but a weapon to fight the weather,” the futility of his struggle is painfully present.
Accompanied by the ghostly and wintry forest scenes captured in Gerhard Richter's photographs, these stories have an alarming density, one that gives way at unexpected moments to open vistas and narrative clarity. Within these pages, the lessons are perhaps not as comforting as in the old calendar stories, but the subversive moralities are always instructive and perfectly executed.
Praise for Alexander Kluge
“More than a few of Kluge's many books are essential, brilliant achievements. None are without great interest.”—Susan Sontag
“Alexander Kluge, that most enlightened of writers.”—W.G. Sebald
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Specificații
ISBN-13: 9780857428202
ISBN-10: 0857428209
Pagini: 132
Ilustrații: 39 color plates
Dimensiuni: 127 x 203 x 8 mm
Greutate: 0.16 kg
Editura: Seagull Books
Colecția Seagull Books
Seria The Seagull Library of German Literature
ISBN-10: 0857428209
Pagini: 132
Ilustrații: 39 color plates
Dimensiuni: 127 x 203 x 8 mm
Greutate: 0.16 kg
Editura: Seagull Books
Colecția Seagull Books
Seria The Seagull Library of German Literature
Notă biografică
Alexander Kluge is one of the major German fiction writers of the late-20th century and an important social critic. As a filmmaker, he is credited with the launch of the New German Cinema movement. Gerhard Richter is one of the most respected visual artists of Germany. His seminal works include Atlas (1964), October 18, 1977 (1988), and EightGrey (2002). Martin Chalmers (1948–2014) was a Berlin-based translator from Glasgow. He has translated some of the best-known German-language writers, including Herta Müller, Elfriede Jelinek and Hans Magnus Enzensberger.
Cuprins
1 December 1941
2 December 1991
3 December 1931
4 December 1941
5 December 1942
6 December 1989
7 December 1932
8 December 1941
9 December 1941
10 December 1932
10 December 1941
10 December 1944
10 December 2009
11 December 1944
12 December 2009
13 December 2009
14 December 2009
15 December 2009
16 December 2009
17 December 2009
18 December 1941
19 December 2009
20 December 1832
21 December 1945
22 December 1943
23 December 1943
23 December 1932
24 December 1943
25 December 2009
26 December 2004
27 December 2003
28 December 1989
29 December 21,999 BC
30 December 1940
31 December 2009
Calendars Are Conservative
2 December 1991
3 December 1931
4 December 1941
5 December 1942
6 December 1989
7 December 1932
8 December 1941
9 December 1941
10 December 1932
10 December 1941
10 December 1944
10 December 2009
11 December 1944
12 December 2009
13 December 2009
14 December 2009
15 December 2009
16 December 2009
17 December 2009
18 December 1941
19 December 2009
20 December 1832
21 December 1945
22 December 1943
23 December 1943
23 December 1932
24 December 1943
25 December 2009
26 December 2004
27 December 2003
28 December 1989
29 December 21,999 BC
30 December 1940
31 December 2009
Calendars Are Conservative
Recenzii
“Alexander Kluge and Gerhard Richter’s December (translated by Martin Chalmers) revives a related tradition: the calendar as history, or the 'chronicle.' Kluge’s texts—one for each day of the month—appear opposite images of winter wastescapes by Richter, together forming a stark, disconcerting record of a Germany frozen if not temporally then spiritually.”
"December physically ferries the reader back and forth between word and image, prompting a search for equivalents, as well as for those lost elements that have no equivalents. The space that December inhabits—a winter at once ominous and intimate, the last breath of the year in anticipation of its end and rebirth—is not unlike the space of translation."