Lyric Novella: The Seagull Library of German Literature
Autor Annemarie Schwarzenbach Traducere de Lucy Renner Jones, Lucy Jonesen Limba Engleză Paperback – 22 sep 2022
Annemarie Schwarzenbach—journalist, novelist, antifascist, archaeologist, and traveler—has become a European cult figure for bohemian free spirits since the rediscovery of her works in the late 1980s. Lyric Novella is her story of a young man’s obsession with a Berlin variété actress. Despite having his future career mapped out for him in the diplomatic service, the young man begins to question all his family values under Sibylle’s spell. His family, future, and social standing become irrelevant when set against his overriding compulsion to pick her up every night from the theater so they can go for a drive. Bringing the story back to her own life, Schwarzenbach admitted after publication that her hero was in fact a young woman, not a man, leaving little doubt that Lyric Novella is a literary tale of lesbian love during socially and politically turbulent times.
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Specificații
ISBN-13: 9781803090375
ISBN-10: 1803090375
Pagini: 138
Dimensiuni: 127 x 203 x 10 mm
Greutate: 0.16 kg
Ediția:Nouă
Editura: Seagull Books
Colecția Seagull Books
Seria The Seagull Library of German Literature
ISBN-10: 1803090375
Pagini: 138
Dimensiuni: 127 x 203 x 10 mm
Greutate: 0.16 kg
Ediția:Nouă
Editura: Seagull Books
Colecția Seagull Books
Seria The Seagull Library of German Literature
Notă biografică
Annemarie Schwarzenbach (1908–42) was a writer, journalist, and photographer who worked periodically as an archaeologist. She is the author of the poem Aus Tétouan, Der Krater der Tiere, Das Wunder des Baumes. Lucy Renner Jones is a freelance translator living in Berlin.
Cuprins
Translator's Introduction
Lyric Novella
Afterword
Lyric Novella
Afterword
Recenzii
“The subject of Annemarie Schwarzenbach’s story is not failed love— Sibylle’s apparent emotional coldness—but the failure of love—the protagonist’s helpless inability, in the crucial moment, to accept his human responsibility toward the beloved.”
“The work bears the face of its time, but it is so gentle, silent and veiled that one can barely exclude the person behind the mask. A mask is in fact this face, because the hero is a heroine who does not want to be seen.”