Alone of All Her Sex
Autor Marina Warneren Limba Engleză Paperback – 28 feb 1983
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Paperback (2) | 132.29 lei 3-5 săpt. | |
Vintage Publishing – 28 feb 1983 | 132.29 lei 3-5 săpt. | |
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Specificații
ISBN-13: 9780394711553
ISBN-10: 0394711556
Pagini: 488
Dimensiuni: 132 x 203 x 28 mm
Greutate: 0.52 kg
Ediția:Vintage Books.
Editura: Vintage Publishing
ISBN-10: 0394711556
Pagini: 488
Dimensiuni: 132 x 203 x 28 mm
Greutate: 0.52 kg
Ediția:Vintage Books.
Editura: Vintage Publishing
Notă biografică
Marina Warner is a prize-winning novelist and cultural historian whose works include From the Beast to the Blonde, Managing Monsters (the 1994 Reith Lectures), Indigo and The Lost Father (shortlisted for the Booker Prize).
Recenzii
"Dramatic, informative and entertaining...a substantial and provocative book." - TLS
"A work of remarkably elegant and eloquent scholarship." - Observer
"Astonishing and enlightening.... packed with scholarship, imagery, vivid selection, and wry contrastive comment." - Margaret Mead
"A work of remarkably elegant and eloquent scholarship." - Observer
"Astonishing and enlightening.... packed with scholarship, imagery, vivid selection, and wry contrastive comment." - Margaret Mead
Descriere
Descriere de la o altă ediție sau format:
This unique study of the cult of the Virgin Mary offers a way of thinking about the interrelations of Catholicism and ideas of ideal femininity over the longue duree. An ambitious history of the changing symbolism of the Mother of God, Alone of All Her Sex holds up to the light different emphases occurring at different times, and highlights that the apparent archetype of a magna mater is constantly in play with social and historical conditions and values. Marina Warner's interesting perspective was forged in the aftermath of significant postwar developments in history, anthropology, and feminism and the book inspired fierce debates when it was first published in 1976. Alone of All Her Sex is also an emotive, personal statement, arising from Warner's own upbringing as a Catholic. It picks up on classic accounts such as Mary MacCarthy's Memoirs of a Catholic Girlhood and Antonia White's Frost in May, as well as the author's own experiences at a Catholic boarding school. Highly controversial in conservative quarters, the book's arguments were welcomed and recognised by many readers who shared Warner's experiences. In this new edition, Marina Warner has written a new preface which reviews the book in the light of the current debate about secularism, faith, nations, and social identities. She takes issue with her original mistaken conclusion that the modern age would see the cult of Mary fade away and revises it in the light of recent popes' enthusiasm for the Mother of God, a fresh wave of visions and revelations, a new generation of female saints, and the reorientation of theological approaches to the woman question.
This unique study of the cult of the Virgin Mary offers a way of thinking about the interrelations of Catholicism and ideas of ideal femininity over the longue duree. An ambitious history of the changing symbolism of the Mother of God, Alone of All Her Sex holds up to the light different emphases occurring at different times, and highlights that the apparent archetype of a magna mater is constantly in play with social and historical conditions and values. Marina Warner's interesting perspective was forged in the aftermath of significant postwar developments in history, anthropology, and feminism and the book inspired fierce debates when it was first published in 1976. Alone of All Her Sex is also an emotive, personal statement, arising from Warner's own upbringing as a Catholic. It picks up on classic accounts such as Mary MacCarthy's Memoirs of a Catholic Girlhood and Antonia White's Frost in May, as well as the author's own experiences at a Catholic boarding school. Highly controversial in conservative quarters, the book's arguments were welcomed and recognised by many readers who shared Warner's experiences. In this new edition, Marina Warner has written a new preface which reviews the book in the light of the current debate about secularism, faith, nations, and social identities. She takes issue with her original mistaken conclusion that the modern age would see the cult of Mary fade away and revises it in the light of recent popes' enthusiasm for the Mother of God, a fresh wave of visions and revelations, a new generation of female saints, and the reorientation of theological approaches to the woman question.