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America's Musical Pulse: Popular Music in Twentieth-Century Society

Autor Kenneth J. Bindas
en Limba Engleză Paperback – 29 sep 1992 – vârsta până la 17 ani
Popular music may be viewed as primary documents of society, and America's Musical Pulse documents the American experience as recorded in popular sound. Whether jazz, blues, swing, country, or rock, the music, the impulse behind it, and the reaction to it reveal the attitudes of an era or generation. Always a major preoccupation of students, music is often ignored by teaching professionals, who might profitably channel this interest to further understandings of American social history and such diverse fields as sociology, political science, literature, communications, and business as well as music.In this interdisciplinary collection, scholars, educators, and writers from a variety of fields and perspectives relate topics concerning twentieth-century popular music to issues of politics, class, economics, race, gender, and the social context. The focus throughout is to place music in societal perspective and encourage investigation of the complex issues behind the popular tunes, rhythms, and lyrics.
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Specificații

ISBN-13: 9780275943066
ISBN-10: 0275943062
Pagini: 320
Dimensiuni: 156 x 235 x 20 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States

Notă biografică

KENNETH J. BINDAS is Assistant Professor of History at West Georgia College, Carrollton, Georgia. His academic specialization is cultural history, in particular, music history. His publications on the role of popular music in American society have appeared in The Western Historical Quarterly and The Historian, among other journals.

Cuprins

PrefaceIntroduction: The Importance of Music to People by Rudolf E. RadocyPoliticsPopular Music as Politics and Protest by Jerome Rodnitzky"Blues What I Am:" Blues Consciousness and Social Protest by Fred J. HayProud to Be an American: Patriotism in Country Music by Melton A. McLaurin"Still Boy Meets Girl Stuff:" Popular Music and War by Jeffrey C. LivingstonClassSocial and Geographic Characteristics of Country Music by James E. AkensonThe Music of the Dispossessed: The Rise of the Blues by William BarlowEmerging from America's Underside: The Black Musician from Ragtime to Jazz by Burton W. PerettiRace, Class, and Ethnicity among Swing Musicians by Kenneth J. BindasRock and Roll and the Working Class by James R. McDonaldRock is Youth/Youth is Rock by Deena WeinsteinEconomicsMusic as a Commodity: Effect and Influence by Scott J. HammondThe Development of Tin Pan Alley by Craig H. RoellSmall Business and the Recording Industry by Martin LaforseThe Business of Popular Music: A Short History by Patrick R. ParsonsTaking Care of Business: The Commercialization of Rock Music by George M. PlasketesRaceThe African-American Contribution to Jazz by William Howland Kenney, IIIThe Day Hank Williams Died: Cultural Collisions in Country Music by Nolan PorterfieldSwing and Segregation by Charles NanryThe Role and Image of African-Americans in Rock and Roll by Charles R. WarnerGenderEqual Time: A Historical Overview of Women in Jazz by Linda DahlWomen and Country Music by Karen Saucier LundyOne Voice: The Legacy of Women Singers in Popular Music by Therese L. LueckLyrical Sexism in Popular Music: A Quantitative Examination by Virginia W. CooperSocial ContextThe Ragtime Controversy by David JoynerDebating with Beethoven: Understanding the Fear of Early Jazz by Kathy J. OgrenSounds of Seduction: Sex and Alcohol in Country Music Lyrics by Charles Jaret and Jacqueline BolesThe Homogenization of Early Rock and Roll by Richard AquilaConclusion: Impact of Popular Music in Society by John OrmanIndex