American Cinema of the 1910s: Themes and Variations: Screen Decades: American Culture/American Cinema
Editat de Professor Charlie Keil, Ben Singeren Limba Engleză Paperback – 3 feb 2009
It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood.
The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.
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Specificații
ISBN-13: 9780813544458
ISBN-10: 0813544459
Pagini: 296
Ilustrații: 33 photographs
Dimensiuni: 194 x 234 x 18 mm
Greutate: 0.5 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria Screen Decades: American Culture/American Cinema
Locul publicării:New Brunswick, NJ, United States
ISBN-10: 0813544459
Pagini: 296
Ilustrații: 33 photographs
Dimensiuni: 194 x 234 x 18 mm
Greutate: 0.5 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria Screen Decades: American Culture/American Cinema
Locul publicării:New Brunswick, NJ, United States
Notă biografică
CHARLIE KEIL is an associate professor in the history department and the director of the Cinema Studies Institute at the University of Toronto. He is the author of Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913.
BEN SINGER is an associate professor of film in the department of communication arts at the University of Wisconsin, Madison. He is the author of Melodrama and Modernity: Early Sensational Cinema and Its Contexts.
BEN SINGER is an associate professor of film in the department of communication arts at the University of Wisconsin, Madison. He is the author of Melodrama and Modernity: Early Sensational Cinema and Its Contexts.
Cuprins
Introduction : Movies and the 1910s / Ben Singer and Charlie Keil
1910 : Movies, reform, and new women / Scott Simmon
1911 : Movies and the stability of the institution / EIleen Bowser
1912 : Movies, innovative nostalgia, and real-life threats / Richard Abel
1913 : Movies and the beginning of a new era / Charlie Keil
1914 : Movies and cultural hierarchy / Rob King
1915 : Movies and the state of the union / Lee Grieveson
1916 : Movies and the ambiguities of progressivism / Shelley Stamp
1917 : Movies and practical patriotism / Leslie Midkiffe DeBauche
1918 : Movies, propaganda, and entertainment / James Latham
1919 : Movies and righteous Americanism / Ben Singer
1910 : Movies, reform, and new women / Scott Simmon
1911 : Movies and the stability of the institution / EIleen Bowser
1912 : Movies, innovative nostalgia, and real-life threats / Richard Abel
1913 : Movies and the beginning of a new era / Charlie Keil
1914 : Movies and cultural hierarchy / Rob King
1915 : Movies and the state of the union / Lee Grieveson
1916 : Movies and the ambiguities of progressivism / Shelley Stamp
1917 : Movies and practical patriotism / Leslie Midkiffe DeBauche
1918 : Movies, propaganda, and entertainment / James Latham
1919 : Movies and righteous Americanism / Ben Singer
Recenzii
“There is nothing like this series. Screen Decades firmly situates American cinema in the realms of material culture, popular culture, cultural narrative, reception analysis, and industrial history.”
Descriere
The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.