American Cinema of the 1930s: Themes and Variations: Screen Decades: American Culture/American Cinema
Editat de Professor Ina Rae Harken Limba Engleză Paperback – 21 iun 2007 – vârsta ani
Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse.
The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes toWashington, and Stagecoach .
The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes toWashington, and Stagecoach .
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Specificații
ISBN-13: 9780813540825
ISBN-10: 0813540828
Pagini: 296
Ilustrații: 33
Dimensiuni: 156 x 235 x 18 mm
Greutate: 0.45 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria Screen Decades: American Culture/American Cinema
ISBN-10: 0813540828
Pagini: 296
Ilustrații: 33
Dimensiuni: 156 x 235 x 18 mm
Greutate: 0.45 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria Screen Decades: American Culture/American Cinema
Notă biografică
INA RAE HARK is a professor of English and film studies at the University of South Carolina.
Cuprins
1930 : Movies and social difference / Aaron Baker
1931 : Movies and the voice / Cynthia Erb
1932 : Movies and transgression / David Lugowski
1933 : Movies and the New Deal in entertainment / Martin Rubin
1934 : Movies and the marginalized / Charlene Regester
1935 : Movies and the resistance to tyranny / Ina Rae Hark
1936 : Movies and the possibility of transcendence / Susan Ohmer
1937 : Movies and new constructions of the American star / Allen Larson
1938 : Movies and whistling in the dark / Sam B. Girgus
1939 : Movies and American culture in the annus mirabilis / Charles Maland
Select Academy Awards, 1930-1939
1931 : Movies and the voice / Cynthia Erb
1932 : Movies and transgression / David Lugowski
1933 : Movies and the New Deal in entertainment / Martin Rubin
1934 : Movies and the marginalized / Charlene Regester
1935 : Movies and the resistance to tyranny / Ina Rae Hark
1936 : Movies and the possibility of transcendence / Susan Ohmer
1937 : Movies and new constructions of the American star / Allen Larson
1938 : Movies and whistling in the dark / Sam B. Girgus
1939 : Movies and American culture in the annus mirabilis / Charles Maland
Select Academy Awards, 1930-1939
Recenzii
“There is nothing like this series. Screen Decades firmly situates American cinema in the realms of material culture, popular culture, cultural narrative, reception analysis, and industrial history.”
Descriere
Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse. The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes to Washington, and Stagecoach.