American Independent Cinema: indie, indiewood and beyond
Editat de Geoff King, Claire Molloy, Yannis Tzioumakisen Limba Engleză Paperback – 2 noi 2012
More specifically this collection offers:
- an account of recent developments as well as reviewing, reassessing and revising a number of central positions, approaches and arguments relating to various parts of the independent and/or indie sector.
- Individual case studies that range from the distinctive qualities of the work of established ‘quality’ filmmakers such as Wes Anderson, Steven Soderbergh and Rebecca Miller to studies of horror genre production at the more ‘disreputable’ end of the independent spectrum.
- Examples of the limits of independence available in some cases within Hollywood, including studies of the work of Stanley Kubrick and Hal Ashby.
- Case studies of under-researched areas in the margins of American independent cinema, including the Disney nature films and Christian evangelical filmmaking.
- A number of wider overview chapters that examine contemporary American independent cinema from a number of perspectives.
Contributors: Warren Buckland, Philip Drake, Mark Gallagher, Geoff King, Peter Krämer, Novotny Lawrence, James MacDowell, Claire Molloy, Michael Z. Newman, Alisa Perren, James Russell, Thomas Schatz, Michele Schreiber, Janet Staiger, Yannis Tzioumakis, Sarah Wharton
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Specificații
ISBN-13: 9780415684293
ISBN-10: 0415684293
Pagini: 272
Ilustrații: 11 black & white tables, 11 black & white halftones
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.36 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415684293
Pagini: 272
Ilustrații: 11 black & white tables, 11 black & white halftones
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.36 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Introduction Part 1 Introduction Chapter 1 Independent of What? Sorting out differences from Hollywood, Janet Staiger Chapter 2 ‘Independent’, ‘Indie’ and ‘Indiewood’: towards a periodisation of contemporary (post-1980) American independent cinema, Yannis Tzioumakis Chapter 3 Thriving or in Permanent Crisis? Discourses on the state of indie cinema, Geoff King Chapter 4 Quirky: buzzword or sensibility?, James MacDowell Part 2 Introduction Chapter 5 Movies for Hipsters, Michael Z. Newman Chapter 6 Discerning Independents: Steven Soderbergh and transhistorical taste cultures, Mark Gallagher Chapter 7 Their Own Personal Velocity: women directors and contemporary independent cinema, Michele Schreiber Chapter 8 Last Indie Standing: the special case of Lions Gate in the new millennium, Alisa Perren Part 3 Introduction Chapter 9 Conglomerate Hollywood and American Independent Film, Thomas Schatz Chapter 10 Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby, Philip Drake Chapter 11 The Limits of Autonomy: Stanley Kubrick, Hollywood and independent filmmaking, 1950-53, Peter Krämer Chapter 12 Independent nature: wildlife films between Hollywood and indiewood, Claire Molloy Part 4 Introduction Chapter 13 In Hollywood, but not of Hollywood: Independent Christian Filmmaking, James Russell Chapter 14 Welcome to the (neo) grindhouse! Sex, violence and the indie film, Sarah Wharton Chapter 15 Faux Real? C.S.A.: The Confederate States of America as the response to The Birth of a Nation, Novotny Lawrence Chapter 16 Measuring Online Word-of-Mouth: The Initial Reception of Inland Empire (2006) on the Web, Warren Buckland
Descriere
In recent years few topics within film studies, and especially Hollywood cinema, have attracted more attention than American independent cinema. Written by some of the leading authors in the field, American independent cinema: indie, indiewood and beyond will introduce students to recent developments as well as reviewing, reassessing and revising particular positions, approaches and arguments concerning American independent cinema.