American ‘Unculture’ in French Drama: Homo Americanus and the Post-1960 French Resistance
Autor Les Essifen Limba Engleză Hardback – 25 mar 2013
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Specificații
ISBN-13: 9781137299024
ISBN-10: 1137299029
Pagini: 341
Ilustrații: XIII, 354 p.
Dimensiuni: 140 x 216 x 28 mm
Greutate: 0.64 kg
Ediția:2013
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
ISBN-10: 1137299029
Pagini: 341
Ilustrații: XIII, 354 p.
Dimensiuni: 140 x 216 x 28 mm
Greutate: 0.64 kg
Ediția:2013
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
Cuprins
Acknowledgments List of Illustrations Introduction: Part 1 Introduction: Part 2 1: The Hyperreality Of The Western Frontier 2: Homo Americanus War And Violence 3: The Totalitarian Non-Tragedy Of Americano-Global Business 4: The (Supra-)Global Spectacle Of American (Non-)Community Conclusion: Blob, Screen, And Corn: Final Figures of the Homo Americanus Hyperreal Notes Works Cited Index
Recenzii
"No major dramatist confronted with American culture - a genre in itself and a must for French artists and playwrights has escaped Essif's precise but global, gentle but witty, generous but severe radar." - Patrice Pavis (University of Kent, UK) in his Foreword to American 'Unculture' in French Drama
"The author presents clearly and vividly the new perspectives on US people, places and events, which are viewed and scrutinized from afar, namely in French theatre. Reciprocally, he describes what light these theatrical representations shed on France itself, and its own attraction and anxiety towards US image culture, market economy, war, and religious evangelism. This is a highly impressive overview, that would usefully serve not only theatre specialists, but also any students or scholars in the Humanities seeking to compare and contrast contemporary US and French society and culture." - Clare Finburgh, University of Essex, UK
"The author presents clearly and vividly the new perspectives on US people, places and events, which are viewed and scrutinized from afar, namely in French theatre. Reciprocally, he describes what light these theatrical representations shed on France itself, and its own attraction and anxiety towards US image culture, market economy, war, and religious evangelism. This is a highly impressive overview, that would usefully serve not only theatre specialists, but also any students or scholars in the Humanities seeking to compare and contrast contemporary US and French society and culture." - Clare Finburgh, University of Essex, UK
Notă biografică
Les Essif is the author of Empty Figure on an Empty Stage, The French Play, and numerous essays on French theatre and theories of drama and performance. He is currently a professor of French Studies at the University of Tennessee, Knoxville, USA.