An Archaeology of Images: Iconology and Cosmology in Iron Age and Roman Europe
Autor Miranda Aldhouse Greenen Limba Engleză Hardback – 29 apr 2004
The book challenges the usual interpretation of statues, reliefs and figurines as passive things to be looked at or worshipped, and reveals them instead as active artefacts designed to be used, handled and broken. It is made clear that the placing of images in temples or graves may not have been the only episode in their biographies, and a single image may have gone through several existences before its working life was over.
Miranda Aldhouse Green examines a wide range of other issues, from gender and identity to foreignness, enmity and captivity, as well as the significance of the materials used to make the images. The result is a comprehensive survey of the multifarious functions and experiences of images in the communities that produced and consumed them.
Challenging many previously held assumptions about the meaning and significance of Celtic and Roman art, An Archaeology of Images will be controversial yet essential reading for anyone interested in this area.
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Specificații
ISBN-13: 9780415252539
ISBN-10: 0415252539
Pagini: 302
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.74 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415252539
Pagini: 302
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.74 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Preface 1. Introduction: Images in Action 2. Image and Identity: Personhood, Self and Other 3. Imaging Gender: Iconographies of Difference 4. Materiality and Meaning 5. Thinking with Beasts 6. Dreaming Monsters and Shamanic Shape-Shifters 7. Paths of Perception: Ways of Seeing, Ways of Telling 8. Resistant Iconographies: Post-Colonial Perspectives Postscript: Images Unlocked? References
Notă biografică
Miranda Aldhouse Green is Professor of Archaeology at University of Wales College, Newport. Her main research interests are in the material culture of ritual and religion in the European Iron Age and western Roman provinces. Her previous publications include Symbol and Image in Celtic Religious Art , Exploring the World of the Druids, and Dying for the Gods.
Recenzii
'[Aldhouse Green] is to be congratualted on bringing together such a wide ranger of examples of iconographic art ... The book is well-written and readable.' – Britannia
Descriere
Using archaeology, social anthropology, and more than 100 original line drawings and photographs, this book takes a fresh look at how ancient images of both people and animals were used in the Iron Age and Roman societies of Europe, 600 BC to AD 400.