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An Egg Is Quiet de Dianna Aston

An Egg Is Quiet

Autor Dianna Aston
en Limba Engleză Hardback – 29 apr 2006 – vârsta de la 5 până la 8 ani

Vezi toate premiile Carte premiată

Flicker Tale Children's Book Award (2007), Texas 2x2 Reading List (2007), South Carolina Childrens, Junior and Young Adult Book Award (2008)
Award-winning artist Sylvia Long has teamed with up-and-coming author Dianna Aston to create this gorgeous and informative introduction to eggs. From tiny hummingbird eggs to giant ostrich eggs, oval ladybug eggs to tubular dogfish eggs, gooey frog eggs to fossilized dinosaur eggs, it magnificently captures the incredible variety of eggs and celebrates their beauty and wonder.

The evocative text is sure to inspire lively questions and observations. Yet while poetic in voice and elegant in design, the book introduces children to more than 60 types of eggs and an interesting array of egg facts. Even the endpapers brim with information. A tender and fascinating guide that is equally at home being read to a child on a parent's lap as in a classroom reading circle.

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Specificații

ISBN-13: 9780811844284
ISBN-10: 0811844285
Pagini: 26
Ilustrații: col
Dimensiuni: 239 x 284 x 9 mm
Greutate: 0.44 kg
Editura: Chronicle Books
Locul publicării:United States

Recenzii

Like the subject matter it describes, this book packages with understated elegance the substantive matter found within it. "An egg is quiet. It sits there, under its mother's feathers...on top of its father's feet...buried beneath the sand," Aston ("When You Were Born") begins, as spot illustrations zero in on a hummingbird, emperor penguin and sea turtle, respectively. The narrative then launches into a kind of survey about the characteristics of eggs, which follows a simple format. In most spreads, different adjectives (colorful, shapely, textured, etc.) complete the sentence, "An egg is....." This repetitive rhythm contrasts with the visual variety of the illustrations. Long's ("Sylvia Long's Mother Goose") skilled use of contrast and compositional balance prevent monotony. For example, a border that resembles a color test pattern runs down the outer edges of a spread of nearly 40 carefully placed "colorful" examples, set against a white background, which dazzle the eye. The main text appears in large, flowery cursive, while a smaller printed typeface serves as labels and brief factual captions. "An egg is clever," in fancy script, for instance, sits alongside examples of camouflage: "An egg might be speckled to resemble the rocks around it." The letters' dramatic curlicues mimic curvy grasses and vines dappled with tiny insect eggs. Long introduces breathtaking color into the final spreads, as a concluding scene "hatches from" this peacefulness, reminding readers of an egg's purpose. This attractive volume pleases on both an aesthetic and intellectual level. -"Publishers Weekly," starred review "Worthy successor to Ruth Heller's Chickens Aren't The Only Ones (1981), this engrossing album pairs images of dozens of precisely detailed eggs and their diverse wild parents to basic facts presented in neatly hand-lettered lines. Nearly all depicted actual size (and those that aren't, are consistently so labeled), Long's eggs look real enough to pick up, whether plac

Like the subject matter it describes, this book packages with understated elegance the substantive matter found within it. "An egg is quiet. It sits there, under its mother's feathers...on top of its father's feet...buried beneath the sand," Aston ("When You Were Born") begins, as spot illustrations zero in on a hummingbird, emperor penguin and sea turtle, respectively. The narrative then launches into a kind of survey about the characteristics of eggs, which follows a simple format. In most spreads, different adjectives (colorful, shapely, textured, etc.) complete the sentence, "An egg is....." This repetitive rhythm contrasts with the visual variety of the illustrations. Long's ("Sylvia Long's Mother Goose") skilled use of contrast and compositional balance prevent monotony. For example, a border that resembles a color test pattern runs down the outer edges of a spread of nearly 40 carefully placed "colorful" examples, set against a white background, which dazzle the eye. The main text appears in large, flowery cursive, while a smaller printed typeface serves as labels and brief factual captions. "An egg is clever," in fancy script, for instance, sits alongside examples of camouflage: "An egg might be speckled to resemble the rocks around it." The letters' dramatic curlicues mimic curvy grasses and vines dappled with tiny insect eggs. Long introduces breathtaking color into the final spreads, as a concluding scene "hatches from" this peacefulness, reminding readers of an egg's purpose. This attractive volume pleases on both an aesthetic and intellectual level. -"Publishers Weekly," starred review "Worthy successor to Ruth Heller's Chickens Aren't The Only Ones (1981), this engrossing album pairs images of dozens of precisely detailed eggs and their diverse wild parents to basic facts presented in neatly hand-lettered lines. Nearly all depicted actual size (and those that aren't, are consistently so labeled), Long's eggs look real enough to pick up, whether plac

Like the subject matter it describes, this book packages with understated elegance the substantive matter found within it. "An egg is quiet. It sits there, under its mother's feathers . . . on top of its father's feet . . . buried beneath the sand," Aston ("When You Were Born") begins, as spot illustrations zero in on a hummingbird, emperor penguin and sea turtle, respectively. The narrative then launches into a kind of survey about the characteristics of eggs, which follows a simple format. In most spreads, different adjectives (colorful, shapely, textured, etc.) complete the sentence, "An egg is . . . ." This repetitive rhythm contrasts with the visual variety of the illustrations. Long's ("Sylvia Long's Mother Goose") skilled use of contrast and compositional balance prevent monotony. For example, a border that resembles a color test pattern runs down the outer edges of a spread of nearly 40 carefully placed "colorful" examples, set against a white background, which dazzle the eye. The main text appears in large, flowery cursive, while a smaller printed typeface serves as labels and brief factual captions. "An egg is clever," in fancy script, for instance, sits alongside examples of camouflage: "An egg might be speckled to resemble the rocks around it." The letters' dramatic curlicues mimic curvy grasses and vines dappled with tiny insect eggs. Long introduces breathtaking color into the final spreads, as a concluding scene "hatches from" this peacefulness, reminding readers of an egg's purpose. This attractive volume pleases on both an aesthetic and intellectual level. -"Publishers Weekly," starred review
"Worthy successor to Ruth Heller's Chickens Aren't The Only Ones (1981), this engrossing album pairs images of dozens of precisely detailed eggs and their diverse wild parents to basic facts presented in neatly hand-lettered lines. Nearly all depicted actual size (and those that aren't, are consistently so labeled), Long's eggs look real enough to pick up, w

Descriere

Award-winning artist Sylvia Long has teamed with up-and-coming author Dianna Aston to create this gorgeous and informative introduction to eggs. From tiny hummingbird eggs to giant ostrich eggs, oval ladybug eggs to tubular dogfish eggs, gooey frog eggs to fossilized dinosaur eggs, it magnificently captures the incredible variety of eggs and celebrates their beauty and wonder. The evocative text is sure to inspire lively questions and observations. Yet while poetic in voice and elegant in design, the book introduces children to more than 60 types of eggs and an interesting array of egg facts. Even the endpapers brim with information. A tender and fascinating guide that is equally at home being read to a child on a parent's lap as in a classroom reading circle.

Notă biografică

Dianna Aston spends a lot of time in her backyard hoping to find new eggs. She often enlists the help of her husband, children, and their assorted pets. She lives in Texas. Sylvia Long is the illustrator of many books for children including the best-selling Sylvia Long's Mother Goose, Hush Little Baby, and Snug As a Bug, all published by Chronicle Books. Ms. Long's detailed paintings are inspired by her love of animals and the outdoors. She lives in Arizona.

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