Analytic Philosophy and the World of the Play: Routledge Advances in Theatre & Performance Studies
Autor Michael Y. Bennetten Limba Engleză Hardback – 9 iun 2017
Analytic Philosophy and the World of the Play re-examines the ontological status of theatre and its fictional objects through the "possible worlds" thesis, arguing that theatre is not a mirror of our world, but a re-creation of it. Taking a fresh look at theatre’s key elements, including the hotly contested relationships between character and actor; onstage and offstage "worlds"; and the play-text and performance, Michael Y. Bennett presents a radical new way of understanding the world of the play.
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Specificații
ISBN-13: 9781138239920
ISBN-10: 1138239925
Pagini: 172
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.41 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138239925
Pagini: 172
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.41 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
Cuprins
ACKNOWLEDGMENTS
FOREWORD by Marvin Carlson
INTRODUCTION Theatre and the Mirror of Nature
PART I Exposing the Problem and Proposing a Solution
1 Theatrical Names and Reference: Dialectical-Synecdochic Objects and "Re-Creation"
2 The World of the Play: Theatre as "Re-Creation"
PART II Applying the (Proposed) Solution to the Problems
3 "Liveness"?: The Presumption of Dramatic and Theatrical "Liveness"
4 Boundedness of (Fictional) Theatre to our (Real) World: Actor and Audience Co-Existence
5 Identity across "Possible Worlds": "The World Beyond" the Play
CONCLUSIONS
#1 "The Purpose of Playing": Why Go to the Theatre?
#2 Where the World of Theatre Ends: Performance Art
#3 Make-Believe
AFTERWORD by James R. Hamilton
BIBLIOGRAPHY
INDEX
FOREWORD by Marvin Carlson
INTRODUCTION Theatre and the Mirror of Nature
PART I Exposing the Problem and Proposing a Solution
1 Theatrical Names and Reference: Dialectical-Synecdochic Objects and "Re-Creation"
2 The World of the Play: Theatre as "Re-Creation"
PART II Applying the (Proposed) Solution to the Problems
3 "Liveness"?: The Presumption of Dramatic and Theatrical "Liveness"
4 Boundedness of (Fictional) Theatre to our (Real) World: Actor and Audience Co-Existence
5 Identity across "Possible Worlds": "The World Beyond" the Play
CONCLUSIONS
#1 "The Purpose of Playing": Why Go to the Theatre?
#2 Where the World of Theatre Ends: Performance Art
#3 Make-Believe
AFTERWORD by James R. Hamilton
BIBLIOGRAPHY
INDEX
Notă biografică
Michael Y. Bennett is Associate Professor of English and affiliated faculty in Philosophy at the University of Wisconsin-Whitewater.
Descriere
Theatrical characters’ dual existence on stage and in text presents a unique, challenging case for the analytical philosopher.
Analytic Philosophy and the World of the Play re-examines the ontological status of theatre and its fictional objects through the 'possible worlds' thesis, arguing that theatre is not a mirror of our world, but a re-creation of it. Taking a fresh look at theatre’s key elements, including the hotly contested relationships between character and actor; onstage and offstage 'worlds'; and the play-text and performance, Michael Y. Bennett presents a radical new way of understanding the world of the play.
Analytic Philosophy and the World of the Play re-examines the ontological status of theatre and its fictional objects through the 'possible worlds' thesis, arguing that theatre is not a mirror of our world, but a re-creation of it. Taking a fresh look at theatre’s key elements, including the hotly contested relationships between character and actor; onstage and offstage 'worlds'; and the play-text and performance, Michael Y. Bennett presents a radical new way of understanding the world of the play.