Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900: Secular & Sacred Music to 1900
Editat de Laurel Parsons, Brenda Ravenscroften Limba Engleză Paperback – 24 oct 2019
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Specificații
ISBN-13: 9780190077136
ISBN-10: 0190077131
Pagini: 288
Dimensiuni: 155 x 231 x 20 mm
Greutate: 0.43 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0190077131
Pagini: 288
Dimensiuni: 155 x 231 x 20 mm
Greutate: 0.43 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
The many compelling analyses offered by this volume have the potential to inform and enrich analytical thinking beyond as well as within the community of scholars, students and musicians with special interests in women composers, and thereby not only to join but also to transform the mainstream
This book has much to offer, showcasing, as it does, relatively unknown repertoire and employing a variety of analytical approaches... This diversity is also a strength, with music spanning almost 700 years carefully analyzed through a wide range of methods. I highly recommend it.
In this beautifully produced volume...The essays, well-documented in the endnotes, are illustrated with a wealth of musical examples, tables, and figures...Significantly, this volume offers college and university instructors an engaging body of music analysis, scholarly writing, and writings in music theory to share with their students. Deborah Hayes, College of Music at the University of Colorado Boulder.
This book has much to offer, showcasing, as it does, relatively unknown repertoire and employing a variety of analytical approaches... This diversity is also a strength, with music spanning almost 700 years carefully analyzed through a wide range of methods. I highly recommend it.
In this beautifully produced volume...The essays, well-documented in the endnotes, are illustrated with a wealth of musical examples, tables, and figures...Significantly, this volume offers college and university instructors an engaging body of music analysis, scholarly writing, and writings in music theory to share with their students. Deborah Hayes, College of Music at the University of Colorado Boulder.
Notă biografică
Laurel Parsons, Ph.D., is a music theorist who has taught at the University of Victoria, University of British Columbia, Queen's University, and the University of Oregon. Her research interests include post-tonal music by Elisabeth Lutyens, Elizabeth Maconchy, and Danish electroacoustic composer Else-Marie Pade, representation of Inuit poetry in late 20th-century Canadian and British music, and post-secondary music pedagogy for students with learning differences. She has published articles on Lutyens's music in Theory & Practice and Canadian University Music Review, and on aural skills pedagogy for students with dyslexia in Music Theory Online. In addition, she has contributed chapters to Arctic Discourses (Cambridge Scholars Press, 2010) and British Modernism and Music 1895-1960 (Ashgate, 2010). From 2012 to 2015, she chaired the Society for Music Theory's Committee on the Status of Women.Brenda Ravenscroft, Ph.D., is Associate Professor of Music Theory and Associate Dean of Teaching andLearning in the Faculty of Arts and Science at Queen's University. Her research focuses on post-tonal American music, text and music, rhythmic organization, the music of South African composer Priaulx Rainier, and pedagogy in higher education. In addition to articles on music by Elliott Carter, John Cage and Lou Harrison in such journals as Music Analysis, Perspectives of New Music, and Music Theory Spectrum, she has contributed a chapter on Carter's vocal music to Elliott Carter Studies (Cambridge University Press, 2012) and authored the "Case Study on Music Analysis" in The Flipped College Classroom (Springer, 2015). She chaired the Society for Music Theory's Committee on the Status of Women from 2006 to 2009.