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Anarchist, Artist, Sufi: The Politics, Painting, and Esotericism of Ivan Aguéli: Islam of the Global West

Editat de Mark Sedgwick
en Limba Engleză Paperback – 19 oct 2022
This book follows the life of Ivan Aguéli, the artist, anarchist, and esotericist, notable as one of the earliest Western intellectuals to convert to Islam and to explore Sufism. This book explores different aspects of his life and activities, revealing each facet of Aguéli's complex personality in its own right. It then shows how esotericism, art, and anarchism finally found their fulfillment in Sufi Islam. The authors analyze how Aguéli's life and conversion show that Islam occupied a more central place in modern European intellectual history than is generally realized. His life reflects several major modern intellectual, political, and cultural trends. This book is an important contribution to understanding how he came to Islam, the values and influences that informed his life, and-ultimately-the role he played in the modern Western reception of Islam.
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Specificații

ISBN-13: 9781350229563
ISBN-10: 1350229563
Pagini: 320
Ilustrații: 10 bw illus
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Islam of the Global West

Locul publicării:London, United Kingdom

Caracteristici

Aguéli is known in Sweden, primarily as an artist, and in Traditionalist circles, as a Sufi, but has never before received a full-length study in English.

Notă biografică

Mark Sedgwick is Professor of Arab and Islamic Studies at Aarhus University, Denmark.

Cuprins

1. Ivan Aguéli: politics, painting and esotericism, Mark Sedgwick (Aarhus University, Denmark)Part I: Ivan Aguéli, the Anarchist Artist2. Ivan Aguéli's life and work, Viveca Wessel (formerly Moderna Museet, Sweden) 3. Exploring the territories of the avant-garde: Ivan Aguéli and the institutions of his time, Annika Öhrner (Södertörn University, Sweden)4. Ivan Aguéli the esotericist in reality and fiction, Per Faxneld (Södertörn University, Sweden)5. Ivan Aguéli's monotheistic landscapes: From perspectival to solar logics, Simon Sorgenfrei (Södertörn University, Sweden)6. Painting the sacred as an initiatic path: Art and Cubism in the eyes of Ivan Aguéli, Thierry Zarcone (CNRS, Paris, France)7. "Kill the audience:" Ivan Aguéli's moralistic utopia of anarchism and Islam, Anthony T. Fiscella (Formerly Lund University, Sweden)Part II: Ivan Aguéli the Sufi8. Ivan Aguéli's second period in Egypt, 1902-09: The intellectual spheres around Il Convito/Al-Nadi, Paul-André Claudel (University of Nantes, France)9. Sufi Teachings for pro-Islamic Politics: Ivan Aguéli and Il Convito, Alessandra Marchi (University of Cagliari, Italy)10. Ivan Aguéli and the legacy of Emir Abdelkader, Iheb Guermazi (Massachusetts Institute of Technology, USA)11. Ivan Aguéli's humanist vision: Islam, Sufism and universalism, Meir Hatina (Hebrew University of Jerusalem, Israel)12. Feminism and the Divine Feminine: An exploration of female elements in Ivan Aguéli and subsequent Traditionalist thought, Marcia Hermansen (Loyola University, USA)Part III: Ivan Aguéli and Traditionalism13. The significance of Ivan Aguéli for the traditionalist movement, Mark Sedgwick (Aarhus University, Denmark)14. What is esotericism in art? Ivan Aguéli's art versus the Traditionalists' "traditional Art," Patrick Ringgenberg (University of Lausanne, Switzerland)Part IV: Writings by Ivan Aguéli15. Letter from Paris16. Letter from Ceylon 17. The Enemies of Islam 18. Pure Art19. Universality in Islam BibliographyIndex

Recenzii

A magnificent book.
Anarchist, animal rights activist, artist, and Sufi mystic, Ivan Aguéli travelled the world in his quest for knowledge. Anarchist, Artist, Sufi brings the life of this remarkable visionary to light in a multifaceted study that is stimulating, insightful, and path-breaking.
A biographical study of how the teachings of medieval Muslim mystics found new meaning in the artistic underground of Belle Époque Paris, this fascinating volume explores the cross-cultural encounter between one society's traditions and another's avant-garde.