"And Never Know the Joy": Sex and the Erotic in English Poetry: DQR Studies in Literature, cartea 36
C.C. Barfooten Limba Engleză Hardback – 31 dec 2005
Din seria DQR Studies in Literature
- 18% Preț: 526.34 lei
- Preț: 254.67 lei
- 18% Preț: 837.10 lei
- 18% Preț: 518.95 lei
- 23% Preț: 502.54 lei
- 15% Preț: 503.36 lei
- Preț: 189.86 lei
- 15% Preț: 441.63 lei
- 15% Preț: 482.07 lei
- 15% Preț: 440.57 lei
- 18% Preț: 1640.70 lei
- 18% Preț: 584.22 lei
- 15% Preț: 497.29 lei
- 18% Preț: 561.57 lei
- 21% Preț: 371.64 lei
- 18% Preț: 636.07 lei
- 18% Preț: 585.67 lei
- 18% Preț: 748.72 lei
Preț: 776.69 lei
Preț vechi: 947.17 lei
-18% Nou
Puncte Express: 1165
Preț estimativ în valută:
148.69€ • 154.56$ • 123.28£
148.69€ • 154.56$ • 123.28£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9789042020757
ISBN-10: 904202075X
Dimensiuni: 155 x 235 mm
Greutate: 0.93 kg
Editura: Brill
Colecția Brill
Seria DQR Studies in Literature
ISBN-10: 904202075X
Dimensiuni: 155 x 235 mm
Greutate: 0.93 kg
Editura: Brill
Colecția Brill
Seria DQR Studies in Literature
Cuprins
Preface
Janine ROGERS: Riddling Erotic Identity in Early English Lyrics
Kevin Teo Kia CHOONG: Bodies of Knowledge: Embodying Riotous Performance in the Harley Lyrics
Luisella CAON: The Pronouns of Love and Sex: Thou and Ye Among Lovers in The Canterbury Tales
Bart VELDHOEN: Reason versus Nature in Dunbar’s “Tretis of the Twa Mariit Wemen and the Wedo”
Glyn PURSGLOVE: Prick-Song Ditties: Musical Metaphor in the Bawdy Verse of the Early Modern Period
Mark LLEWELLYN: “Cease Thy Wanton Lust”: Thomas Randolph’s Elegy, the Cult of Venetia, and the Possibilities of Classical Sex
Rebecca C. POTTER: The Nymph’s Reply Nine Months Later
Tracy WENDT LEMASTER: Lowering the Libertine: Feminism in Rochester’s “The Imperfect Enjoyment”
Kari Boyd Mcbride: “Upon a Little Lady”: Gender and Desire in Early Modern English Lyrics
Lisa Marie LIPIPIPATVONG: “Freeborn Joy”: Sexual Expression and Power in William Blake’s Visions of the Daughters of Albion
Nowell MARSHALL: Of Melancholy and Mimesis: Social Bond(age)s in Visions of the Daughters of Albion
Monika LEE: “Happy Copulation”: Revolutionary Sexuality in Blake and Shelley
Daniel BRASS: “Bursting Joy’s Grape” in Keats’ Odes
C.C. BARFOOT: “In This Strang Labourinth How Shall I Turne?”: Erotic Symmetry in Four Female Sonnet Sequences
Britta ZANGEN: Christina Rossetti’s “Goblin Market”: The Eroticism of Female Mystics
Fahrï ÖZ: “To Take Were to Purloin”: Sexuality in the Narrative Poems of Christina Rossetti
J.D. BALLAM: Renaissance Erotic in the Poetry of John Addington Symonds
R. van BRONSWIJK: The Brilliance of Gas-Lit Eyes: Arthur Symons’ Erotic Auto-Voyeurism Observed
Andrew HARRISON: The Erotic in D.H. Lawrence’s Early Poetry
Nephie J. CHRISTODOULIDES: Triangulation of Desire in H.D.’s Hymen
Peg ALOI: “Smile, O Voluptuous Cool-Breath’d Earth”: Erotic Imagery and Context in Contemporary Ritual Authorship
Wim TIGGES: Two Tongues in One Mouth: Erotic Elements in Nuala Ní Dhomhnaill’s Irish Poetry and Its English Translations
Sandie BYRNE: Sex in the “Sick, Sick Body Politic”: Tony Harrison’s Fruit
Cheryl Alexander MALCOLM: (Un)Dressing Black Nationalism: Nikki Giovanni’s (Counter)Revolutionary Ethics
Wolfgang GÖRTSCHACHER: Biblio-Erotic and Jewish Erotic Configurations in Georgia Scott’s The Penny Bride
Notes on Contributors
Index I: Selected Motifs, Topics, Themes
Index II: Authors, Texts and Publications,
Selected Proper Names
Janine ROGERS: Riddling Erotic Identity in Early English Lyrics
Kevin Teo Kia CHOONG: Bodies of Knowledge: Embodying Riotous Performance in the Harley Lyrics
Luisella CAON: The Pronouns of Love and Sex: Thou and Ye Among Lovers in The Canterbury Tales
Bart VELDHOEN: Reason versus Nature in Dunbar’s “Tretis of the Twa Mariit Wemen and the Wedo”
Glyn PURSGLOVE: Prick-Song Ditties: Musical Metaphor in the Bawdy Verse of the Early Modern Period
Mark LLEWELLYN: “Cease Thy Wanton Lust”: Thomas Randolph’s Elegy, the Cult of Venetia, and the Possibilities of Classical Sex
Rebecca C. POTTER: The Nymph’s Reply Nine Months Later
Tracy WENDT LEMASTER: Lowering the Libertine: Feminism in Rochester’s “The Imperfect Enjoyment”
Kari Boyd Mcbride: “Upon a Little Lady”: Gender and Desire in Early Modern English Lyrics
Lisa Marie LIPIPIPATVONG: “Freeborn Joy”: Sexual Expression and Power in William Blake’s Visions of the Daughters of Albion
Nowell MARSHALL: Of Melancholy and Mimesis: Social Bond(age)s in Visions of the Daughters of Albion
Monika LEE: “Happy Copulation”: Revolutionary Sexuality in Blake and Shelley
Daniel BRASS: “Bursting Joy’s Grape” in Keats’ Odes
C.C. BARFOOT: “In This Strang Labourinth How Shall I Turne?”: Erotic Symmetry in Four Female Sonnet Sequences
Britta ZANGEN: Christina Rossetti’s “Goblin Market”: The Eroticism of Female Mystics
Fahrï ÖZ: “To Take Were to Purloin”: Sexuality in the Narrative Poems of Christina Rossetti
J.D. BALLAM: Renaissance Erotic in the Poetry of John Addington Symonds
R. van BRONSWIJK: The Brilliance of Gas-Lit Eyes: Arthur Symons’ Erotic Auto-Voyeurism Observed
Andrew HARRISON: The Erotic in D.H. Lawrence’s Early Poetry
Nephie J. CHRISTODOULIDES: Triangulation of Desire in H.D.’s Hymen
Peg ALOI: “Smile, O Voluptuous Cool-Breath’d Earth”: Erotic Imagery and Context in Contemporary Ritual Authorship
Wim TIGGES: Two Tongues in One Mouth: Erotic Elements in Nuala Ní Dhomhnaill’s Irish Poetry and Its English Translations
Sandie BYRNE: Sex in the “Sick, Sick Body Politic”: Tony Harrison’s Fruit
Cheryl Alexander MALCOLM: (Un)Dressing Black Nationalism: Nikki Giovanni’s (Counter)Revolutionary Ethics
Wolfgang GÖRTSCHACHER: Biblio-Erotic and Jewish Erotic Configurations in Georgia Scott’s The Penny Bride
Notes on Contributors
Index I: Selected Motifs, Topics, Themes
Index II: Authors, Texts and Publications,
Selected Proper Names