André Bazin's Film Theory: Art, Science, Religion
Autor Angela Dalle Vaccheen Limba Engleză Paperback – 31 ian 2020
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 343.57 lei 3-5 săpt. | |
Oxford University Press – 31 ian 2020 | 343.57 lei 3-5 săpt. | |
Hardback (1) | 728.23 lei 31-37 zile | |
Oxford University Press – 31 ian 2020 | 728.23 lei 31-37 zile |
Preț: 343.57 lei
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Specificații
ISBN-13: 9780190067304
ISBN-10: 0190067306
Pagini: 240
Ilustrații: 15 photographs
Dimensiuni: 234 x 155 x 18 mm
Greutate: 0.38 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0190067306
Pagini: 240
Ilustrații: 15 photographs
Dimensiuni: 234 x 155 x 18 mm
Greutate: 0.38 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Dalle Vacche's laudable scholarly efforts reveal Bazin as a deeply committed and especially perceptive and subtle critic, whose importance must not be overlooked.
Breathing Bazin--taking in all his writings--Angela Dalle Vacche now exhales his singular, commodious spirit. Seizing on the ingenious metaphors that crystallize his vast knowledge of the arts, sciences and theology, she demonstrates through uncommon examples how, for this 'tragic optimist,' the camera's cold stare, its 'anti-anthropocentrism'; can produce a profound and touching humanism, fostering an ethical rapport with the earth and all its creatures that we need today more than ever.
Breathing Bazin--taking in all his writings--Angela Dalle Vacche now exhales his singular, commodious spirit. Seizing on the ingenious metaphors that crystallize his vast knowledge of the arts, sciences and theology, she demonstrates through uncommon examples how, for this 'tragic optimist,' the camera's cold stare, its 'anti-anthropocentrism'; can produce a profound and touching humanism, fostering an ethical rapport with the earth and all its creatures that we need today more than ever.
Notă biografică
Angela Dalle Vacche is Professor of Cinema Studies at the Georgia Institute of Technology in Atlanta. She has written extensively on the representation of history in film; on Italian women and early cinema; on intermediality and color. She is the author or editor of such works as Film, Art, New Media: Museum without Walls? (2012) and Diva: Defiance and Passion in Early Cinema (2008), and is currently developing a book on African cinema.