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Androcles and the Lion

Autor George Bernard Shaw
en Limba Engleză Paperback – 20 aug 2022
Androcles and the Lion is a 1912 play written by George Bernard Shaw. The play is Shaw's retelling of the tale of Androcles, a slave who is saved by the requiting mercy of a lion. In the play, Shaw portrays Androcles to be one of the many Christians being led to the Colosseum for torture. Characters in the play exemplify several themes and takes on both modern and supposed early Christianity, including the cultural clash between Jesus' teachings and traditional Roman values. The play was written at a time when the Christian Church was an important influence on society and there was strong pressure on non-believers in public life. The reversal of roles in the play possibly served to evoke empathy from his targeted audience. The characters also represent different "types" of Christian believers. The journey and outcome of each of the characters make it clear which believers Shaw sympathizes with the most, especially with Lavinia.
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Specificații

ISBN-13: 9781006023255
ISBN-10: 1006023259
Pagini: 50
Dimensiuni: 152 x 229 x 3 mm
Greutate: 0.08 kg
Editura: Blurb

Notă biografică

Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871. Shaw would also have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and its film version. Shaw mentioned that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry Sweet.