Animation and America
Autor Paul Wellsen Limba Engleză Paperback – 26 mar 2002
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| Paperback (2) | 208.98 lei 6-8 săpt. | |
| EDINBURGH UNIVERSITY PRESS – 26 mar 2002 | 208.98 lei 6-8 săpt. | |
| Rutgers University Press – 29 iul 2002 | 280.57 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781853312038
ISBN-10: 1853312037
Pagini: 172
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.24 kg
Editura: EDINBURGH UNIVERSITY PRESS
Locul publicării:United Kingdom
ISBN-10: 1853312037
Pagini: 172
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.24 kg
Editura: EDINBURGH UNIVERSITY PRESS
Locul publicării:United Kingdom
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Notă biografică
Paul Wells has published widely in the field of animation. He is the author of Understanding Animation and Art and Animation. He also teaches at the University of Teesside (U.K.).
Cuprins
Acknowledgements
Introduction : Abdicating all mental law
Animation and modernism
Disney effect
Synaesthetics, subversion, television
New Disney, old stories?
New animation auteurs
United States of the art
Filmography
Introduction : Abdicating all mental law
Animation and modernism
Disney effect
Synaesthetics, subversion, television
New Disney, old stories?
New animation auteurs
United States of the art
Filmography
Recenzii
This readable, analytical, and rather full treatment touches on the artistry and the commercial and technical aspects of animation.
Highly recommended.
Descriere
Descriere de la o altă ediție sau format:
In Animation and America, Paul Wells looks afresh at this unique art, discussing the distinctiveness of the cartoon form, as well as myriad other types of animation production. Insisting upon the "modernity" of the genre, Wells examines its importance as a barometer of the social conditions in which it is made and which it reflects. This book is not a standard history of animation in America, but rather uses animation as a way of discussing social and political change. Wells concentrates on the ways in which the form continues to grow, experiment, and remain subversiveand, increasingly, gaining acclaim and recognition. Now in the vanguard of visual culture, animation occupies an important position in representing both the outcomes and impacts of new technologies, and it also has laid the foundations for a new understanding of social and artistic practice.