Antonioni: Centenary Essays
Autor Laura Rascaroli, John David Rhodesen Limba Engleză Paperback – 29 noi 2011
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Specificații
ISBN-13: 9781844573844
ISBN-10: 1844573842
Pagini: 344
Dimensiuni: 155 x 235 x 23 mm
Greutate: 0.7 kg
Ediția:2011
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1844573842
Pagini: 344
Dimensiuni: 155 x 235 x 23 mm
Greutate: 0.7 kg
Ediția:2011
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
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Cuprins
Interstitial,
Pretentious,
Alienated,
Dead:
Antonioni
at
100/Laura
Rascaroli
and
John
David
Rhodes.-
Modernities.-
Identification
of
a
City:
Antonioni
and
Rome,
1940-1962/Jacopo
Benci.-
Modernity,
Put
into
Form: Blow-Up,
Objectuality,
1960s
Antonioni/Laura
Rascaroli.-
Revisiting Zabriskie
Point/Angelo
Restivo.-
Reporter,
Soldier,
Detective,
Spy:
Watching The
Passenger/Robert
S.
C.
Gordon.-
Aesthetics.-
'Making
Love
on
the
Shores
of
the
River
Po':
Antonioni's
Documentaries/Leonardo
Quaresima.-
On L'avventura and
the
picturesque/Rosalind
Galt.-
Quasi:
Antonioni
and
Participation
in
Art/Alexander
García
Düttmann.-
Face,
Body,
Voice,
Movement:
Antonioni
and
Actors/David
Forgacs.-
Medium
Specifics.-Blow-up and
the
Plurality
of
Photography/Matilde
Nardelli.-
Ten
Footnotes
To
A
Mystery/Francesco
Casetti.-
Identification
of
a
Medium: Identificazione
di
una
donna and
the
Rise
of
Commercial
Television
in
Italy/Michael
Siegel.-
Ecologies.-
Antonioni's
Waste
Management/Karl
Schoonover.-
Antonioni's
Cinematic
Poetics
of
Climate
Change/Karen
Pinkus.-
Antonioni
and
the
Development
of
Style/John
David
Rhodes.-
Index.
Notă biografică
LAURA
RASCAROLI?is
Senior
Lecturer
in
Film
Studies
at
University
College
Cork.
She
is
the
author
ofThe
Personal
Camera:
Subjective
Cinema
and
the
Essay
Film(2009)
and
the
co-author
(with
Ewa
Mazierska)
ofFrom
Moscow
to
Madrid:
European
Cities,
Postmodern
Cinema(2003),The
Cinema
of
Nanni
Moretti:
Dreams
and
Diaries(2004),
andCrossing
New
Europe:
Postmodern
Travel
and
the
European
Road
Movie(2006).
She
is
also
the
co-editor
(with
Patrick
O'Donovan)
ofThe
Cause
of
Cosmopolitanism:
Dispositions,
Models,
Transformations(2010).
JOHN DAVID RHODES is ?is Senior Lecturer in Literature and Visual Culture at the University of Sussex. He is the author ofStupendous, Miserable City: Pasolini's Rome(2007) andMeshes of the Afternoon(2011), and the co-editor (with Brian Price) ofOn Michael Haneke(2010), and (with Elena Gorfinkel) ofTaking Place: Location and Moving Image(2011). He is a founding co-editor of the journalWorld Picture.
JOHN DAVID RHODES is ?is Senior Lecturer in Literature and Visual Culture at the University of Sussex. He is the author ofStupendous, Miserable City: Pasolini's Rome(2007) andMeshes of the Afternoon(2011), and the co-editor (with Brian Price) ofOn Michael Haneke(2010), and (with Elena Gorfinkel) ofTaking Place: Location and Moving Image(2011). He is a founding co-editor of the journalWorld Picture.
Textul de pe ultima copertă
The
cinema
of
Michelangelo
Antonioni
(1912–2007)
embodies
–
more
than
that
of
any
other
director
–
the
substance
of
European
art
cinema.
His
intensely
stylised,
stylish,
demanding
and
gratifying
films
continue
to
spark
controversy
and
debate
–
and
inspire
intense
allegiance.
On
the
centenary
of
Antonioni's
birth,
this
volume
places
his
work
in
an
expanded
field
in
order
to
reassess
his
contribution
and
continued
centrality
to
world
cinema.
The
contributors
to
this
volume
argue
for
an
understanding
of
his
work
in
a
variety
of
new
contexts:
transnational
cinema;
conceptual
photography;
intermediality;
thing
theory;
ecological
and
climate
change
theory;
rubbish
theory;
microhistorical
urbanism;
the
theory
of
the
picturesque;
and
the
theory
of
style.
The Antonioni that emerges across these essays is an artist profoundly engaged in formal experimentation and deeply embedded in the complexities of his cultural and historical moment, whose work, therefore, continues to offer itself as a rich resource for thinking through the contradictory conditions of late modernity in the twenty-first century.
The Antonioni that emerges across these essays is an artist profoundly engaged in formal experimentation and deeply embedded in the complexities of his cultural and historical moment, whose work, therefore, continues to offer itself as a rich resource for thinking through the contradictory conditions of late modernity in the twenty-first century.
Caracteristici
Major
new
reappraisal of
the
great
Italian
filmmaker
Michelangelo
Antonioni
Includes contributions from leading Italian cinema scholars
May include contributions from filmmakers who worked with Antonioni, eg Wim Wenders
Includes contributions from leading Italian cinema scholars
May include contributions from filmmakers who worked with Antonioni, eg Wim Wenders