Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age
Autor Edward Lambertien Limba Engleză Paperback – 21 noi 2012
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Specificații
ISBN-13: 9781844574766
ISBN-10: 1844574768
Pagini: 242
Ilustrații: 120 colour photos
Dimensiuni: 189 x 246 x 16 mm
Greutate: 0.58 kg
Ediția:2012
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1844574768
Pagini: 242
Ilustrații: 120 colour photos
Dimensiuni: 189 x 246 x 16 mm
Greutate: 0.58 kg
Ediția:2012
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
Caracteristici
First edited collection about the BBFC, presenting a range of individual viewpoints on a hundred years of BBFC history
Notă biografică
EDWARD LAMBERTI is Information Services Manager at the BBFC and a PhD candidate in the Film Studies departmentat King's College London. Associate Editors: Jason Green, David Hyman, Craig Lapper and Karen Myers.
Cuprins
Foreword; M.Kermode .- Preface; Q.Thomas.- Introduction; E.Lamberti.- Censorship Under Siege: The BBFC in the Silent Era; S.Brown.- 'The People's Amusement': Cinemagoing and the BBFC, 1928-1948; R.James.- From The Snake Pit to the Garden of Eden: A Time of Temptation for the Board; S.Chibnall.- The Trevelyan Years: British Censorship and 1960s Cinema; T.Hargreaves .- Wake of the Flood: Key Issues in UK Censorship, 1970-1975; S.Simkin.- The Poacher Turned Gamekeeper: James Ferman and the Increasing Intervention of the Law; G.Osborn & A.Sinclair .- More Than Just a 'Nasty' Decade: Classifying the Popular in the 1980s; S.Barber .- Head-On Collisions: The BBFC in the 1990s; J.Petley'The Last Days of the Board'; R.Duval.- The Director's Commentary; D.Cooke.- On the BBFC in the Digital Age; G.Lemos, J.Carr, G.Hawthorn, S. Sedley & A.Phoenix .- Case Studies by BBFC Staff: .- Battleship Potemkin; A.McDowell.- Island of Lost Souls; K.Myers.- The Snake Pit; D.Hyman.- Caged; J.Green.- Cape Fear; D.Hyman.- Blowup; E.Lamberti.- A Clockwork Orange; K.Myers.- WR: Mysteries of the Organism; C.Lapper.- The Panic in Needle Park; M.Perkins.- Shivers; D.Hyman.- The Tin Drum; C.Lapper.- Christiane F; C.Lapper.- Indiana Jones and the Temple of Doom; E.Lamberti.- Licence to Kill; E.Lamberti.- International Guerillas; J.Green.- Mikey; J.Green.- Ichi the Killer; M.Perkins.- Lilo & Stitch; J.Green.- 9 Songs; C.O'BrienHarry Potter and the Goblet of Fire; K.Myers.
Recenzii
This book thoughtfully presents current practices in the frame of past contexts as part of an ongoing debate about what audiences might want from 'their' classifiers.
This is a key book and I would reckon that it is a must for any library used by staff and students engaging with British Film and British filmgoing. It is well produced with an accessible
The history of the BBFC, as documented in this fascinating new book, is littered with controversies, scandals and accusations of butchering great works of art...The book spans the entire history of the organisation, from silent film, through the 'video nasties' furore of the 1980s right up to the present day. It is well researched and written from a number of perspectives, both from within and outside the BBFC.
A remarkably accessible history, which may appeal especially to readers interested in film distribution, British film history but equally to readers outside the sphere of film and media studies with a broad interest in issues of censorship as a well written history of a unique case study.
This is a key book and I would reckon that it is a must for any library used by staff and students engaging with British Film and British filmgoing. It is well produced with an accessible
The history of the BBFC, as documented in this fascinating new book, is littered with controversies, scandals and accusations of butchering great works of art...The book spans the entire history of the organisation, from silent film, through the 'video nasties' furore of the 1980s right up to the present day. It is well researched and written from a number of perspectives, both from within and outside the BBFC.
A remarkably accessible history, which may appeal especially to readers interested in film distribution, British film history but equally to readers outside the sphere of film and media studies with a broad interest in issues of censorship as a well written history of a unique case study.